Ye kahan aa gaye hum from Silsila (1981) is one of the best adventurous Hindi blur songs ever. The chargeless ballad congenital in the song, “Main aur meri tanhai, aksar yeh baatein karte hain…” heard in Amitabh Bachchan’s affluent baritone, takes it to a new level. The curve bake with the desolation of barren love, Majboor yeh halaat idhar bhi hai, udhar bhi/tanhai ki ek raat idhar bhi hai, udhar bhi… and say it all. You can abutting your eyes and acquaintance the pain.
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And to anticipate that Javed Akhtar became a artist absolutely by accident. Yash Chopra, who mostly formed with Sahir Ludhianvi, was attractive for a aces backup afterwards Sahir’s afterlife in 1980. Chopra had formed with the Salim-Javed aggregation of scenarists aback Deewaar (1975) and knew that Akhtar dabbled in poetry. He requested him to try his duke at autograph the lyrics for his blur revolving about an extramarital affair. The blow is history.
It was not as if Aktar was impervious to poetry. In fact, he belongs to a ancestors of poets alignment aback seven generations. His father, Jan Nisar Akhtar, was a acclaimed poet/lyricist. Legendary Urdu artist Majaz was his affectionate uncle and the works of his grandfather, Muzter Khairabadi, are advised as a anniversary in Urdu poetry. A adolescent Akhtar grew up account the choicest balladry in a abode abounding of books and knew hundreds of couplets by heart. He showed an affection appear autograph balladry aback an aboriginal age and began acceptable competitions, apery his academy and afterwards college.
Why he carved out a career as a author and not a artist is a mystery. Apparently, he had a abysmal abiding all-overs adjoin his ancestor for marrying afresh and didn’t ability a rapprochement with him till his aftermost days. That acerbity reportedly led him to abdicate poetry. He best up the pen afresh afterwards his father’s annihilation in 1976 to affect a ablution and abide his lineage.
Silsila was abounding of odes to adulation like Ye kahan aa gaye hum, Dekha ek khwab and the adumbration ridden Neela aasman kho gaya. Saath Saath (1982) was alongside cinema, an burghal affair abiding in reality. Akhtar’s lyrics reflected the affliction of relationships dying in the action for survival. Success of songs like Pyar mujhse jo kiya tumne, Yeh tera ghar yeh mera ghar and Tumko dekha toh yeh khayal aaya ensured he was no one-hit wonder. The songs were articulate by Jagjit Singh and Chitra Singh and composed by Kuldeep Singh. A constant accord amid the ghazal accompanist and the artist led to collaborations for two clandestine albums Silsilay (1998) and Soz (2002).
The ‘80s can be said to be artisan years for the lyricist. He acclimated his accuracy of autograph scenes to pen songs that took the adventure forward. Songs like Zindagi aa raha hoon capital from Mashaal (1984) or the communicable Mammayea kero kero kero astronomic (Arjun,1985) are examples of that. With Arjun, he formed a abounding affiliation with RD Burman. Saagar (1985) – composed by RD was the improvement blur of Dimple Kapadia. Javed produced memorable songs like Chehra hai ya chand khila hai, Sagar kinare, Jaane do na, and Sach bald yaar hai for this adulation story. Later, 1942: A Adulation Adventure won him his aboriginal Filmfare Award as a artist for the song Ek ladki ko dekha to aisa laga. Articulate by Kumar Sanu, the song did abroad with the acceptable mukhda-antara method, accepting aloof one band – Ek ladki ko dekha to aisa laga – technically as the mukhda. The blow of the curve served as the antaras. Similarly, in1988, he experimented with the song Breathless, accounting for Shankar Mahadevan’s anthology of the aforementioned name. The six-minute song flowed like chargeless verse, after the bound of mukhda and antara.
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The ‘90s saw him account some of the best adventurous songs of his career in Papa Kehte Hain (1996). A small-budget film, it got a addition due to Aktar’s soulful lyrics and active music by Rajesh Roshan. Ghar se nikalte hi got Akhtar his additional Filmfare trophy. Other memorable songs were Pyar mein hota hai kya jaadu, Pehle pyar ka pehla gham and Mujhse naraaz ho to ho jao. Border (1997), a war blur by JP Dutta, captivated the bulletin of peace. Akhtar’s Bald dushman, bald bhai articulate by Hariharan, accent that. Sandese aate hain batten about the homesickness of soldiers. The anthology won him yet addition Filmfare trophy.
The new millennium saw him scoring aerial with Refugee (2000). His accord with Anu Malik produced such gems as Panchi nadiya pawan ke jhonke, Aisa lagta hai and Bald humsafar. It won him a Filmfare Award too. Lagaan (2001) saw him aggregation up with AR Rahman for the aboriginal time. The blur was set in the 19th aeon and appropriate the artist to almost the accent of that era. The rain song, Ghanan ghanan, the bhajan O palanhare, the fun songs, O re chori and Radha kaise na jale or the aggregation architecture anthem, Mitwa, all had a chatty flavour. He fabricated a jump from aeon to abreast with son Farhan Akhtar’s Dil Chahta Hai, area bubbling lyrics like Dil chahta hai, Koi kahe kehta rahe and Woh ladki hai kahan showcased his synergy with the youth.
Mention charge additionally be fabricated of Shyam Benegal’s Zubeida (2001), area Javed came calm with AR Rahman already again. In the blighted adulation adventure of an actress-turned royalty, Javed’s pen covered the absolute spectrum of emotions. Mehendi hai rachne wali batten of conjugal dreams, Dheeme dheeme gaaon of the aboriginal even of love, Mehki mehki hai raahein of brotherhood and So gaye hain kho gaye hain – the best addictive – was all about dreams accedence to reality.
The OSTs of Capital Hoon Na (2004) and Kal Ho Naa Ho (2003) were beginning off the acreage too. Songs like Tumhe jo maine dekha, Chale jaise hawaein, as able-bodied as the appellation song from the above and Har ghadi badal rahi hai, Mahi ve, It’s the time to disco, Kucch to hua hai from the closing were chartbusters. He composed to backward Madan Mohan’s tunes for the cross-border affair Veer-Zaara (2004) and gave gems like Tere liye, Do pal and Capital yahan hoon. Swades (2004) saw him in a atramentous affection with songs like the bhajan Pal pal hai bhari, the alley song, Yun hi chala chal rahi and the adorning Yeh tara woh tara. In Kabhi Alvida Na Kehna (2006), he had the army allure to Rock n cycle soniye and Where’s the affair tonight.
Trust him to bread new terms, which he did with Dard-e-disco in Om Shanti Om (2007) , giving a avant-garde aberration to the ghazal. His classical leanings came into comedy in Jodhaa Akbar (2008), area he lent the 16th aeon appearance into the lyrics of this aeon romance. The boot song Azeem-o-shaan shahenshah and the Sufi ghazal Khwaja bald khwaja were the aces of the lot.
Wake up Sid (2009) saw him activity into the Sufi mould with Iktara. In Zindagi Na Milegi Dobara (2011), he chalked out his aesthetics of activity in the composition Toh zinda ho tum. Songs like Dil dhadakne do and Senorita were army favourites too. In Dil Dhadakne Do (2015) his Girls like to beat and Galla goodiyan got abundant appreciation. Very abundant affiliated to today’s tastes and tunes, he’s all set to beat added admirers with accessible films like Raees and Mohenjo Daro.
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Top 10 songs
1 Dekha ek khwabFilm: Silsila (1981)Music: Shiv-HariSingers: Kishore Kumar-Lata Mangeshkar
2 Tumko dekha to yeh khayal aayaFilm: Saath Saath (1982)Music: Kuldeep SinghSingers: Jagjeet Singh-Chitra Singh
3 Chehra hai ya chand khila haiFilm: Saagar (1985)Music: RD BurmanSinger: Kishore Kumar
4 Ek do teenFilm: Tezaab (1998)Music: Laxmikant-PyarelalSinger: Alka Yagnik
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5 Ek ladki ko dekha to aisa lagaFilm: 1942: A Adulation Adventure (1994)Music: RD BurmanSinger: Kumar Sanu
6 Sandese aate hainFilm: Border (1997)Music: Anu MalikSinger: Roop Kumar Rathod, Kumar Sanu
7 Panchi nadiya pawan ke jhokeFilm: Refugee (2000)Music: Anu MalikSinger: Sonu Nigam
8 Koi kahe kehta raheFilm: Dil Chahta Hai (2001)Music: Shankar-Ehsaan-LoySingers: Shankar Mahadevan, Shaan, KK
9 Dard-e-discoFilm: Om Shanti Om (2007)Music: Vishal-ShekharSingers: Sukhwinder Singh, Caralisa Monteiro
10 IktaraFilm: Wake Up SidMusic: Amit TrivediSingers: Kavita Seth, Amitabh Bhattacharya
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