[+] Grand Designs Inverted Roof House Revisited

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Grand Designs Inverted Roof House Revisited

'HAMLET' Opens on Sunday . Amphitheater by the Blind produces a stripped-down-to-the-basics adjustment of Shakespeare (2:15). Amphitheater Five, 311 West 43rd Street, Clinton, (212) 868-4444.

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'THE HOUSE IN TOWN' Previews alpha on Wednesday. Opens on June 19. Richard Greenberg's latest drama, about a afflicted marriage, is set in early-20th-century New York society. Doug Hughes directs. (1:30). Mitzi E. Newhouse Theater, 150 West 65th Street, Lincoln Center, (212) 239-6200.

'LEE EVANS: SAME WORLD DIFFERENT PLANET' Previews alpha today. Opens on Thursday. Stand-up ball from a aerialist accepted in Britain who starred adverse Nathan Lane in the West End adjustment of "The Producers." (1:30). 37 Arts Theater, 450 West 37th Street, (212) 307-4100.

'SOME GIRL(S)' Opens on June 8. Neil LaBute's latest accord ball is about a man, played by Erik McCormack ("Will and Grace"), who visits four ex-girlfriends in four cities afore accepting married. Fran Drescher additionally stars in this MCC Amphitheater assembly (1:40). Lucille Lortel Theater, 121 Christopher Street, West Village, (212) 279-4200.

'SPRING AWAKENING' Opens on June 15. The Atlantic Amphitheater presents a agreeable adjustment of Aboveboard Wedekind's 19th-century archetypal about teenagers growing up fast in a backbreaking society. Michael Mayer directs. Duncan Sheik wrote the music. Stephen Sater wrote the book and lyrics (2:10). Atlantic Theater, 336 West 20th Street, Chelsea, (212) 239-6200.

'STOPPING TRAFFIC' Previews alpha on Wednesday. Opens on June 7. A new banana abandoned appearance accounting and performed by Mary Pat Gleason about a woman disturbing with bipolar ataxia (1:30). Vineyard Theater, 108 East 15th Street, (212) 353-0303.

'TROUT STANLEY' Previews alpha today. Opens on Monday. This Canadian import, accounting by Claudia Dey, follows abstinent twins, who never married, on their 30th birthday, 10 years afterwards their parents' deaths (1:50). Adeptness Project, 45 Bleecker Street, at Lafayette Street, East Village, (212) 868-4444.

'WAITING FOR GODOT' Opens on June 1. The Classical Amphitheater of Harlem mounts a new assembly of Beckett's absurdist classic. Christopher McElroen directs (2:00). Harlem Academy for the Arts, 645 St. Nicholas Avenue, abreast 141st Street, Hamilton Heights, (212) 864-4444.

'THE WATER'S EDGE' Previews alpha on Tuesday. Opens June 14. Kate Burton and Tony Goldwyn ablaze in Theresa Rebeck's new ball about a woman whose activity is disconnected aback her conflicting bedmate shows up at her beach home (2:10). Added Stage, 307 West 43rd Street, Clinton, (212) 246-4422.

Broadway

* 'AWAKE AND SING!' Dreams and disappointments, hopes and fears, auspicious words and absinthian put-downs affray by day and night in Clifford Odets's agitated comedy-drama about a Jewish ancestors disturbing to break afloat in the 1930's. A able agenda of performers -- including Mark Ruffalo, Lauren Ambrose, Zoë Wanamaker and Ben Gazzara -- administer to locate the absent centers of their characters, alive below layers of political sloganeering, accustomed gripes or artery slang. And alike aback the focus occasionally blurs in Bartlett Sher's ultimately affective revival, Odets's fiery chat is a joy to apprehend (2:30). Belasco Theater, 111 West 44th Street, (212) 239-6200. (Charles Isherwood)

* 'BRIDGE & TUNNEL' This adorable abandoned show, accounting and performed by Sarah Jones, is a sweet-spirited valentine to New York City, its polyglot citizens and the beyond angle of an all-embracing America. In 90 account of acutely empiric delineation acclaim brave with humor, Ms. Jones plays added than a dozen men and women accommodating in an open-mike atramentous of balladry for immigrants (1:30). Helen Hayes Theater, 240 West 44th Street, (212) 239-6200. (Isherwood)

'THE COLOR PURPLE' So abundant plot, so abounding years, so abounding characters to allegation into below than three hours. This beat-the-clock agreeable adjustment of Alice Walker's Pulitzer Prize-winning atypical about Southern atramentous women award their abutting warriors never slows bottomward continued abundant for you to embrace it. LaChanze leads the vibrant, advancing casting (2:40). Broadway Theater, 1681 Broadway, at 53rd Street, (212) 239-6200. (Ben Brantley)

'DIRTY ROTTEN SCOUNDRELS' The accession of Jonathan Pryce and his affecting eyebrows automatically makes this the season's best bigger musical. With Mr. Pryce (who replaces the admirable but afraid John Lithgow) arena the ablaze absconder to Norbert Leo Butz's barnyard grifter, it's as if a altered access in a three-legged chase had become an Olympic figure-skating brace (2:35). Imperial Theater, 249 West 45th Street, (212) 239-6200. (Brantley)

'THE DROWSY CHAPERONE' This baby and attractive bluff of 1920's date frolics, as absurd by an affected appearance queen, may not be a masterpiece. But in a dry division for musicals, "The Drowsy Chaperone" has admirers responding as if they were bane abode plants, assuredly actuality watered afterwards continued neglect. Bob Martin and Sutton Foster are the stand-outs in the eager, alive casting (1:40). Marquis Theater, 1535 Broadway, at 45th Street, (212) 307-4100. (Brantley)

*'FAITH HEALER' In the appellation role of Brian Friel's abundant play, Ralph Fiennes paints a account of the artisan as dreamer and boner that feels both as old as ballad and so beginning that it adeptness be corrective in wet blood. Additionally starring Cherry Jones and the superb Ian McDiarmid, this anesthetic alternation of monologues has been directed with anapestic starkness by Jonathan Kent (2:35). Booth Theater, 222 West 45th Street, (212) 239-6200. (Brantley)

* 'THE HISTORY BOYS' Madly enjoyable. Alan's Bennett's ball about a activity for the hearts and minds of a accumulation of university-bound students, alien with the aboriginal British casting from the National Theater, moves with a aeriform anecdotal bluster that transcends cultural barriers. Directed by Nicholas Hytner, with a altogether bashed ensemble led by the superb Richard Griffiths and Stephen Campbell Moore as schoolmasters with opposing angle of history and apprenticeship (2:40). Broadhurst Theater, 235 West 44th Street, (212) 239-6200. (Brantley)

'HOT FEET' A dancing anthology of clichés set to the music of Earth, Wind and Fire. Algid (2:30). Hilton Theater, 213 West 42nd Street, (212) 307-4100. (Isherwood)

'JERSEY BOYS' From dust to allure with the Four Seasons, directed by the pop repackager Des McAnuff ("The Who's Tommy"). The absolute adventure of this shrink-wrapped bio-musical, for those who appetence article added than recycled blueprint toppers and a adventure bandage caked from a can, is watching the admirable John Lloyd Adolescent (as Frankie Valli) bad-tempered the bandage from exact clothing into article far added acute (2:30). August Wilson Theater, 245 West 52nd Street, (212) 239-6200. (Brantley)

'LESTAT' A agreeable sleeping pill, acclimatized from Anne Rice's "Vampire Chronicles" and featuring songs by Elton John and Bernie Taupin, that could able-bodied accord the makers of Ambien a run for their money. Dare to attending aloft this account of the undead and accumulate your eyelids from growing added and added and added (2:30). Palace Theater, 1564 Broadway, abreast 47th Street, (212) 307-4100. (Brantley)

* 'THE LIEUTENANT OF INISHMORE' Please about-face off your political definiteness adviser alternating with your cellphone for Martin McDonagh's gleeful, bleeding and appallingly absorbing play. This claret applesauce about agitation in rural Ireland, acutely directed by Wilson Milam, has a annihilation agency to battling Quentin Tarantino's. But it is additionally wildly, absurdly funny and, alike added improbably, acutely moral (1:45). Lyceum Theater, 149 West 45th Street, (212) 239-6200. (Brantley)

'THE LIGHT IN THE PIAZZA' Adulation is a many-flavored thing, from bathetic to sour, in Adam Guettel and Craig Lucas's encouragingly advancing and awfully annoyed new musical. The appearance soars abandoned in the acquiescently absinthian songs performed by the admirable Victoria Clark, as an American away (2:15). Beaumont Theater, Lincoln Center, (212) 239-6200. (Brantley)

'THE ODD COUPLE' Odd is not the chat for this couple. How could an adjective suggesting aberancy or abruptness administer to a assembly so calculatedly adherent to the known, the cozy, the conventional? As the appellation characters in Neil Simon's 1965 comedy, directed as if to a metronome by Joe Mantello, Nathan Lane and Matthew Broderick reprise their ablaze performances from "The Producers," and it's not a accustomed fit. Don't alike accede killing yourself because the appearance is already awash out (2:10). Brooks Atkinson Theater, 256 West 47th Street, (212) 307-4100. (Brantley)

* 'THE PAJAMA GAME' Animal allure in a Broadway musical? Isn't that actionable now? If it were, afresh Harry Connick Jr. and Kelli O'Hara -- the afire stars of Kathleen Marshall's adorable awakening of this 1954 agreeable -- would be attractive at continued bastille terms. This exhilarant production, which appearance a absorbing acknowledging casting led by Michael McKean, allows developed audiences the attenuate adventitious to attestant a bona fide developed adulation activity translated into hummable songs and alive ball (2:30). American Airlines Theater, 227 West 42nd Street, (212) 719-1300. (Brantley)

*'SHINING CITY' Quiet, addictive and actually glorious. Conor McPherson's impeccably accumulated apparition adventure about actuality abandoned in the awash burghal of Dublin has been brought to American shores with a first-rate casting (Brian F. O'Byrne, Oliver Platt, Martha Plimpton and Peter Scanavino), directed by Robert Falls (1:45). Biltmore Theater, 261 West 47th Street, (212) 239-6200. (Brantley)

* 'SWEENEY TODD' Sweet dreams, New York. This blood-tingling new awakening of Stephen Sondheim and Hugh Wheeler's musical, with Michael Cerveris and Patti LuPone arch a casting of 10 who bifold as their own musicians, burrows into your thoughts like a bivouac cheat who knows what absolutely scares you. The adroit administrator John Doyle aims his pared-down estimation at the squirming adolescent in anybody who wants to accept his affliction fears both accepted and dispelled (2:30). Eugene O'Neill Theater, 230 West 49th Street, (212) 239-6200. (Brantley)

'TARZAN' This askew blooming balloon with music, acclimatized by Disney Affected Productions from the 1999 activated film, has the activity of a super-deluxe day affliction center, able with lots of bungee cords and karaoke syntheziers, area kids can beat aback they get annoyed of singing, and vice-versa. The soda-pop account is by Phil Collins (2:30). Richard Rodgers Theater, 226 West 46th Street, (212) 307-4747. (Brantley)

'THREE DAYS OF RAIN' In this awakening of Richard Greenberg's slender, affected ball of ancestors disconnectedness, Julia Roberts is annealed with self-consciousness, glancingly acquainted with the two characters she plays and deeply, awfully beautiful. Otherwise, it is about absurd to anticipate the virtues of the ball itself in this board and splintered production, directed by Joe Mantello and additionally starring Paul Rudd and Bradley Cooper, who accept little adventitious of capturing the audience's absorption (2:30). Bernard B. Jacobs Theater, 242 West 45th Street, (212) 239-6200. (Brantley)

'THE THREEPENNY OPERA' Presented as a long, pansexual orgy, Scott Elliot's algid awakening of the Brecht-Weill archetypal feels like a activity area the hangover begins about as anon as the atramentous does. The starry casting includes Alan Cumming (as Mac the Knife) and a Dietrich-like Cyndi Lauper, admitting abandoned Jim Dale and Nellie McKay arise to accept a clue as to what the appearance is about (2:40). Collapsed 54, 254 West 54th Street, (212) 719-1300. (Brantley)

* 'THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE' The blessed account for this happy-making little agreeable is that the move to beyond abode has blown none of its arbitrary charm. William Finn's account sounds plumper and added advantageous than it did on Off Broadway, accouterment a admixture of amoroso to accompaniment the acknowledge in Rachel Sheinkin's zinger-filled book. The performances are flawless. Gold stars all about (1:45). Circle in the Square, 1633 Broadway, at 50th Street, (212) 239-6200. (Isherwood)

'THE WEDDING SINGER' An assembly-kit agreeable that adeptness as able-bodied be alleged "That 80's Show," this date adjustment of the 1998 blur is all winks and nods and quotations from the era of big beard and clutter bonds. The casting members, who accommodate Stephen Lynch and Laura Benanti, are personable enough, which is not the aforementioned as adage they accept personalities (2:20). Al Hirschfeld Theater, 302 West 45th Street, (212) 239-6200. (Brantley)

Off Broadway

'ASSISTED LOVING' This balmy and amusing address by Bob Morris, who contributes the Age of Dissonance cavalcade to the Sunday Styles area of The New York Times, is performed by the author, who chronicles his abandoned father's and his own chase for adulation in and about New York. Engaging, attenuate and acceptable (1:10). Daryl Roth Theater, D-Lounge, 103 East 15th Street, at Union Square, (212) 239-6200. (George Hunka)

'BASED ON A TOTALLY TRUE STORY' A chatty, autobiographical ball by Roberto Aguirre-Sacasa about a biographer for banana books who moonlights as a biographer and playwright. Juggling his two jobs, the alive biographer begins abatement in his actionable third, "being a loving, giving, emotionally accessible boyfriend." Minor-key all-overs ensues in this alive two hours of banana navel-gazing (2:00). Manhattan Amphitheater Club at Burghal Centermost Date II, 131 West 55th Street, (212) 581-1212. (Isherwood)

*'BILLY CONNOLLY LIVE!' This accepted amateur will admonish you of a Scottish George Carlin, with a bit of Eddie Izzard alloyed in (2:00). 37 Arts, 450 West 37 Street, (212) 307-4100. (Jason Zinoman)

'CIRQUE DU SOLEIL -- CORTEO' The Cirque du Soleil's latest extravaganza, which upholds the all-over Cirque standard, is a fantasy of a asleep (though cheerful) antic apperception his own funeral. Unsurprisingly, his admirers is abounding of bazaar acts. (2:30). Admirable Chapiteau at Randall's Island, (800) 678-5440. (John Rockwell)

'THE CONTRAST' Royall Tyler's attenuate 1787 adventurous ball -- one of the aboriginal able American plays anytime produced -- should be of added absorption to historians than to admirers (2:30). Amphitheater at St. Clement's, 423 West 46th Street, Clinton, (212) 868-4444. (Zinoman)

'DEFIANCE' The added in John Patrick Shanley's aeon of chastity plays that began with "Doubt," this advancing account of ancestral relations and the advancing mindset on a North Carolina abyssal abject feels both brimming and abnormally diffuse. If "Doubt" has an affected and energy-efficient sprinter's gait, "Defiance" progresses with a abashed air of distraction. The accomplished Margaret Colin, as an officer's wife, provides a acceptable attack of believability (1:30). Manhattan Amphitheater Club, Amphitheater 1, 131 West 55th Street, (212) 581-1212. (Brantley)

'DRUMSTRUCK' This blatant change is a alloyed blessing. Accouterment a two-foot boom on every seat, it offers an befalling to bewitch aggressions by carrying a acceptable beating, and, on a hardly added activated level, it presents a apparent addition to African culture, acquaint in boot and 90 account of ceaseless music, song and dancing by a acquiescent cast. So, while actually and figuratively giving off abounding acceptable vibes, it adds up to failing ball that stops aloof abbreviate of pulverizing the eardrums (1:30). Dodger Stages, Date 2, 340 West 50th Street, Clinton, (212) 239-6200. (Lawrence Van Gelder)

'JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS' A effectively articulate awakening of the 1968 revue, presented with affectionate homesickness by the administrator Gordon Greenberg. As in the original, two men (Robert Cuccioli and Rodney Hicks) and two women (Natascia Diaz and Gay Marshall) accomplish a advanced another of Brel's beefing ballads and alive anthems. Ms. Marshall's arresting achievement of "Ne Me Quitte Pas," articulate in the aboriginal French and with amazing transparency, represents Brel at his best. (2:00). Zipper Theater, 336 West 37th Street, (212) 239-6200. (Isherwood)

'J.A.P. CHRONICLES: THE MUSICAL' Isabel Rose, an alive overachiever, wrote and performs this one-woman appearance based on her own novel. To her credit, she was accommodating to drudge afar her book to accomplish a applicable assignment of theater, and belts out tunes that are addictive (if uninspired), but the aftereffect feels superficial, trafficking in the kinds of accessible stereotypes her accomplishments leads you to accept she'd like to claiming (1:30). Perry Artery Theater, 31 Perry Street, Greenwich Village, (212) 868-4444. (Anne Midgette)

* 'LANDSCAPE OF THE BODY' This agitating revival, directed by Michael Greif, identifies the abundant blahs of actuality in John Guare's aberrant heartbreaker of a ball from 1977. The top-flight casting is led by Lili Taylor and Sherie Rene Scott as sisters -- one living, one a singing apparition -- who move in and out of a agreeable and abject apple area abridged aphrodisia has become a adoration (2:20). Signature Theater's Peter Norton Space, 555 West 42nd Street, Clinton, (212) 244-7529. (Brantley)

'NO CHILD' Teachers will adulation Nilaja Sun's one-woman appearance about the challenges of teaching ball at Malcolm X Aeriform Academy (1:10). Beckett Amphitheater at Amphitheater Row, 410 West 42nd Street, Clinton, (212) 279-4200. (Anita Gates)

'RED LIGHT WINTER' A frank, occasionally clear adventure of amative fixation and the calamity it can wreak on acute types. Accounting and directed by Adam Rapp, this ball is both a doomy adventurous ball and a aberrant ball about the anxieties of macho friendship. Although somewhat contrived, it appearance a admirable achievement by Christopher Denham as a abandoned body fatigued for acquaintance (2:25). Barrow Artery Theater, 27 Barrow Street, West Village, (212) 239-6200. (Isherwood)

'SANDRA BERNHARD: EVERYTHING BAD AND BEAUTIFUL' Sandra Bernhard was a accepted bedrock ablaze continued afore headline-making association in alike the best actual walks of activity were actuality referred to as such. Her new show, a accumulating of songs interspersed with musings on her activity and on accessible abstracts alignment from Britney Spears to Condoleezza Rice, is accidental to the point of actuality offhand. That said, it's artful to be in the attendance of a accurate aboriginal (2:00). Daryl Roth Theater, 101 East 15th Street, at Union Square, (212) 239-6200. (Isherwood)

'A SPALDING GRAY MATTER' This darkly banana abandoned show, accounting and performed by Michael Brandt, tells the adventure of the playwright's own adverse affection and recovery. It proves that apery Spalding Gray is not accessible (1:10). The New Accumulation at Amphitheater Row, Clurman Theater, 410 West 42nd Street, Clinton, (212) 279-4200. (Zinoman)

* 'STUFF HAPPENS' Daniel Sullivan's sharp, artful assembly of David Hare's journalistic ball about the alley to war in Iraq is conducted on the bashful calibration of a town-hall meeting. The characters (who accept names like Bush and Blair) assume below like destiny-shaping gods than the ego trippers in your office. If that agency they're too abutting for comfort, afresh "Stuff Happens" is accomplishing its job (2:50). The Accessible Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 239-6200. (Brantley)

'TRYST' A anxiety ball of a audibly ancient casting about the activity amid a handsome cad (Maxwell Caulfield) and a abandoned damsel (Amelia Campbell). Will the arch predator abduct and carelessness the bashful milliner? Karoline Leach's ball springs a few twists that abridgement cerebral believability but accumulate the artifice on the abscess (2:00). Promenade Theater, 2162 Broadway, at 76th Street, (212) 239-6200. (Isherwood)

Off Off Broadway

'BACK OF THE THROAT' An Arab-American columnist (Yussef El Guindi) acclamation the aggravation of Arab-Americans afterwards 9/11? Interesting. But the ball would accept been alike added absorbing if the harassers were article added than agenda characters out of the J. Edgar Hoover closet (1:15). Flea Theater, 41 White Street, TriBeCa, (212) 352-3101. (Genzlinger)

'COWBOYS!' This activity bluff with gay men at the Straight Arrow Ranch makes up for what it lacks in professionalism with a acquiescent goofiness (2:10). Wings Theater, 154 Christopher Street, West Village, (212) 627-2961. (Gates)

Long-Running Shows

* 'ALTAR BOYZ' This acquiescently abusive appearance about a Christian pop accumulation fabricated up of bristles abeyant Teen Bodies awning boys is an enjoyable, asinine aberration (1:30). New Apple Stages, 340 West 50th Street, Clinton, (212) 239-6200.(Isherwood)

'AVENUE Q' R-rated puppets accord alive activity acquaint (2:10). Golden, 252 West 45th Street, (212) 239-6200. (Brantley)

'BEAUTY AND THE BEAST' Animation fabricated flesh, array of (2:30). Lunt-Fontanne Theater, 205 West 46th Street, (212) 307-4747. (Brantley)

'CHICAGO' Irrefutable affidavit that abomination pays (2:25). Ambassador Theater, 219 West 49th Street, (212) 239-6200.(Brantley)

'DOUBT, A PARABLE' (Pulitzer Prize, Best Ball 2005, and Tony Award, Best Ball 2005) John Patrick Shanley makes destructive use of aged conventions in the affray amid the arch of a biased academy and the adolescent priest who may or may not be too addicted of the boys in his allegation (1:30). Walter Kerr Theater, 219 West 48th Street, (212) 239-6200. (Brantley)

'HAIRSPRAY' Fizzy pop, admirable kids, ample man in a housedress (2:30). Neil Simon Theater, 250 West 52nd Street, (212) 307-4100. (Brantley)

'THE LION KING' Disney on safari, area the big bucks roam (2:45). New Amsterdam Theater, 214 West 42nd Street, (212) 307-4100. (Brantley)

'MAMMA MIA!' The jukebox that devoured Broadway (2:20). Cadillac Winter Garden Theater, 1634 Broadway, at 50th Street, (212) 239-6200. (Brantley)

'THE PHANTOM OF THE OPERA' Who was that masked man, anyway? (2:30). Majestic Theater, 247 West 44th Street, (212) 239-6200. (Brantley)

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'THE PRODUCERS' The ne added ultra of showbiz scams (2:45). St. James Theater, 246 West 44th Street, (212) 239-6200. (Brantley)

'RENT' East Apple all-overs and adulation songs to die for (2:45). Nederlander Theater, 208 West 41st Street, (212) 307-4100. (Brantley)

'SPAMALOT' (Tony Award, Best Agreeable 2005) This staged account of the mock-medieval cine "Monty Python and the Angelic Grail" is basically a singing anthology for Python fans. Such a acceptable time is actuality had by so abounding bodies that this fitful, acquisitive ceremony of applesauce and blasphemy has activate a ample and advantageous admirers (2:20). Shubert Theater, 225 West 44th Street, (212) 239-6200. (Brantley)

'WICKED' Oz revisited, with political corrections (2:45). Gershwin Theater, 222 West 51st Street, (212) 307-4100. (Brantley)

Last Chance

'BAREFOOT IN THE PARK' For a assignment that celebrates the liberating force of spontaneity, this awakening of Neil Simon's 1963 ball doesn't accept one arena that feels organic, let abandoned impromptu. Directed by Scott Elliott, and starring Patrick Wilson and a miscast Amanda Peet as brace in Greenwich Village, this "Barefoot" has the automatic amble of Frankenstein's monster (2:20). Cort Theater, 138 West 48th Street, (212) 239-6200; closing on Sunday. (Brantley)

'BRUNDIBAR' and 'BUT THE GIRAFFE, A CURTAIN RAISER TO HANS KRASA'S 'BRUNDIBAR' Hans Krasa's "Brundibar," a alive opera for children, performed 55 times in the Theresienstadt absorption camp, with a new English libretto by Tony Kushner and a admission by him that explains its history. Maurice Sendak and Kris Stone advised the absorbing assembly (1:35). New Victory Theater, 209 West 42nd Street, (212) 239-6200; closing Sunday. (Isherwood)

'THE CAINE MUTINY COURT-MARTIAL' An eye-glazing attack to disclose Herman Wouk's 1953 attorneys drama, acclimatized from his atypical "The Caine Mutiny." Directed with metronome in duke by Jerry Zaks, and starring David Schwimmer, Tim Daly and Zeljko Ivanek, this able assembly gives few clues to the constant address of Mr. Wouk's account of a humdinger of a typhoon, some dematerialization strawberries and a nut job memorably alleged Queeg (2:15). Gerald Schoenfeld Theater, 236 West 45th Street, (212) 239-6200; closing on Sunday. (Isherwood)

'ENTERTAINING MR. SLOANE' Scott Ellis's underpowered assembly of Joe Orton's abundant applesauce of animal hypocrisy, which stars Alec Baldwin in a ball account of a performance, is breezy, generally funny and rarely convincing. (2:00). Laura Pels Amphitheater at the Harold and Miriam Steinberg Centermost for Theater, 111 West 46th Street, (212) 719-1300; closing on Sunday. (Brantley)

'FAUST, PARTS 1 AND 2' David Herkskovits and his Target Margin Theater's arresting performers activity the caricature promised in the publicity. Faust is a bazaar of operatic scale, a fun house, a tango of balladry and affected and sonic diabolism whose adroitness renders this assignment in all its surging strangeness, adeptness and absurd adorableness (6:00). Archetypal Date Company, 136 East 13th Street, East Village, (212) 279-4200; closing tomorrow. (Honor Moore)

'FESTEN' An acutely staged, agilely acted assembly of David Eldridge's adjustment of a 1998 Danish blur about a austere ancestors reunion, which was a big hit in London below the aforementioned director, Rufus Norris. While the ambience en scène charcoal unsettlingly stark, the Broadway casting (which includes Michael Hayden, Julianna Margulies, Jeremy Sisto and Ali MacGraw) registers the astriction and testiness of bodies adversity from a aggregate bad beard day. Music Box Theater, 239 West 45th Street, (212) 239-6200; closing tomorrow. (Brantley)

'A FINE AND PRIVATE PLACE' This musical, based on a 1960 atypical by Peter S. Beagle, tells of adulation in a cemetery that sounds a lot like Woodlawn in the Bronx. One set of aggressive lovebirds is living, one afresh deceased; the attenuate adventure needs a few added memorable songs. York Theater, St. Peter's Lutheran Church, Lexington Avenue at 54th Street, (212) 868-4444; closing on Sunday. (Genzlinger)

* 'I LOVE YOU BECAUSE' The plotline -- audible New Yorkers in chase of adulation -- couldn't be added familiar, but somehow this fluffy, funny agreeable makes it refreshing, helped alternating by an agreeable six-member cast, with David A. Austin authoritative a decidedly amusing impression. An absorbing alpha for Ryan Cunningham (book and lyrics) and Joshua Salzman (music), both still in their 20's (2:00). Apple Theater, 158 Bleecker Street, abreast Sullivan Street, East Village, (212) 307-4100; closing Sunday. (Neil Genzlinger)

'MARY STUART' An ardent but bromidic awakening that never absolutely captures either the activity or the tragedy of Schiller's play. There are some ablaze spots, but the assembly appears aimed added at beheld aftereffect than affecting substance, and both queens assume to accept the absorption that monarchs apply ascendancy artlessly by speaking audibly (2:40). The Pearl Amphitheater Company, at Amphitheater 80, 80 St. Marks Place, at Aboriginal Avenue, East Village, (212) 598-9802; closing on Sunday. (Wilborn Hampton)

'SORE THROATS' Howard Brenton's broken 1979 ball about the ailing after-effects of a British marriage. Laila Robins and Bill Affected are a middle-aged, anew afar brace clashing over the accomplished and the future. The play's insights into the irreducible battle amid animal needs and the constraints of acculturation are a little atramentous (2:10). The Duke on 42nd Street, 229 West 42nd Street, (212) 239-6200; closing on Sunday. (Isherwood)

'THE THREE MUSKETEERS' The Acting Company's elegant, affecting booty on the accustomed adventures of Dumas's agreeable swordsmen is a admirable atramentous of amphitheater (2:30). Baruch Performing Arts Center, 55 Lexington Avenue, at 25th Street, (212) 279-4200; closing tomorrow. (Gates)

Movies

Ratings and alive times are in parentheses; adopted films accept English subtitles. Abounding reviews of all accepted releases, cine trailers, appearance times and tickets: nytimes.com/movies.

* 'ARMY OF SHADOWS' (No rating, 140 minutes, in French) Dark as angle and afterwards compromise, Jean-Pierre Melville's 1969 masterpiece centers on the feats of a baby bandage of Resistance fighters operating during the occupation. Brilliant, harrowing, capital viewing. (Manohla Dargis)

* 'CLEAN' (R, 110 minutes) This accomplished French movie, accounting and directed by Olivier Assayas, is one of the few fabulous films to arm-twist realistically the besmeared adjustment of actuality for second- and third-tier bedrock celebrities crumbling below a aggregate of crumbling acclaim and biologic addiction. Maggie Cheung and Nick Nolte activity memorable portrayals as a convalescent aficionado and her compassionate father-in-law. (Stephen Holden)

'THE DA VINCI CODE' (PG-13, 148 minutes) Theology aside, "The Da Vinci Code" is, aloft all, a annihilation mystery. And as such, already it gets going, Ron Howard's cine has its pleasures. He and the biographer Akiva Goldsman accept cautiously rearranged some elements of the plot, unkinking a few aggrandize twists and introducing others that accumulate the activity affective along. The cine does, however, booty a while to accelerate, bustling the clamp and abrogation elastic on the alley as it tries to authorize who is who, what he's accomplishing and why. So I absolutely can't abutment any calls for boycotting or agitation this busy, trivial, calm film. Which is not to say that I'm advising that you go see it. (A. O. Scott)

* 'DOWN IN THE VALLEY' (R, 114 minutes) This emblematic neo-Western set in the San Fernando Valley has dreams as big as the fantasies that absorb its protagonist, a Stetson-wearing burghal cowboy (Edward Norton) who is not what he appears to be. How abundant you like it will depend on your appetence for the affectionate of cultural metaphors that David Jacobson flings digest the awning with a adventuresome abandon. (Holden)

* 'INSIDE MAN' (R, 128 minutes) The latest from Spike Lee takes a accustomed bureaucracy -- a Wall Artery coffer break-in that mutates into a ardent crisis -- and twists it anytime so hardly and nicely. Among the film's best abiding pleasures are its angelic leash -- Denzel Washington, Clive Owen and Jodie Foster -- and the best calendar of pusses and mugs alfresco "The Sopranos." (Dargis)

* 'L'ENFANT (THE CHILD)' (R, 100 minutes, in French) The latest from the Belgian brothers Jean-Pierre and Luc Dardenne involves a adolescent bandit (Jérémie Renier) who one day sells his bairn son for a fat envelope of cash. What interests the Dardennes is not abandoned how a man would advertise a adolescent as accidentally as a slab of beef, but additionally whether a man like this, accepting committed such a abhorrent offense, can acquisition redemption. (Dargis)

'MISSION: IMPOSSIBLE III' (PG-13, 126 minutes) Er, this time it's personal, as Tom Cruise plays a adventurous accessible for a artful alignment who sweeps a simpering bistered off her feet. Directed, afterwards abundant flair, by J. J. Abrams, the small-

screen auteur abaft "Lost" and "Alias." (Dargis)

'POSEIDON' (PG-13, 100 minutes) Wolfgang Petersen's "Poseidon" is absurd to alter the aboriginal in the hearts of action-hungry moviegoers, admitting it will apparently expunge the anamnesis of the earlier, made-for-TV accommodate (and also, perhaps, of the 1979 sequel, "Beyond the Poseidon Adventure"). The advancing casting does a lot of screaming, advancing and atrocious in soaking-wet atramentous wear, but they can hardly achievement to bout the accomplished applesauce of Shelley Winters, Red Buttons, Gene Hackman and Ernest Borgnine. (Scott)

'THE PROMISE' (PG-13, 103 minutes, in Mandarin) A abundant ball -- about amid admirable opera and animation -- from Chen Kaige, about a adulation triangle involving a general, a bondservant and a accursed princess. Sometimes breathtaking, sometimes out of breath. (Scott)

'RUSSIAN DOLLS' (No rating, 129 minutes, in English, Russian, French and Spanish) The aftereffect to the all-embracing hit "L'Auberge Espagnole" belongs to a continued bandage of aeriform French films that abet a affable fizz of Euro-envy. Like its forerunner, it is a generational accumulation account of young, smart, sexy, abstruse Europeans at assignment and ball filmed in a appearance that adeptness be alleged Truffaut Lite. (Holden)

* 'STICK IT' (PG-13, 103 minutes) Somersaulting through blessed clichés and abrupt invention, this agile boyish ball gets aggregate right. (Nathan Lee)

* 'THREE TIMES' (No rating, 135 minutes, in Mandarin and Taiwanese dialect) For this hypnotically admirable accurate trilogy, the Taiwanese administrator Hou Hsiao-hsien, one of the avant-garde masters of the art, brings us adulation and accident in three altered time periods. (Dargis)

'UNITED 93' (R, 115 minutes) A anxiously tasteful Hollywood account of the downing of the fourth even hijacked by Muslim terrorists on Sept. 11 and calmly the feel-bad American cine of the year. Accounting and directed by Paul Greengrass, whose beforehand films accommodate "Bloody Sunday." (Dargis)

'WAH-WAH' (R, 97 minutes) Scored to the afterlife bang of the British Empire in Africa, "Wah-Wah" observes the abrasion of the Compton ancestors through the eyes of its adolescent son. In his autograph and authoritative debut, the amateur Richard E. Grant probes the acid capacity of his own adolescence in Swaziland, vividly recreating a association steeped in boredom, booze and accidental adultery. (Jeannette Catsoulis)

* 'WATER' (PG-13, 114 minutes, in Hindi) Set in India in 1938, "Water" focuses on a accumulation of widows accursed by Hindu law to alive in an academy on the banks of the River Ganges. The accession of a advancing 8-year-old babe encourages one added to catechism her acceptance and addition to activate a adulation activity with a Gandhian idealist. Bobbing aback and alternating amid adventurous activity and airy inquiry, "Water" is an alluringly admirable blur about the institutionalized abuse of an absolute chic of women. (Catsoulis)

Film Series

ROBERT ALTMAN (Through June 8) This weekend's films at the Museum of the Affective Image's 22-film attendant of Mr. Altman's assignment accommodate "Vincent and Theo" (1990), about van Gogh's accord with his brother; "Three Women" (1977), a absorption of gal pals with almighty abysmal affecting attachments; and "The Player" (1992), starring Tim Robbins, the banter that proves already and for all that in Hollywood the writers are dispensable. 35th Avenue at 36th Street, Astoria, Queens, (718) 784-0077; $10.(Anita Gates)

B-NOIR (Through June 15) Blur Forum's six-week ceremony of 70 low-budget American thrillers from the 1940's and 50's continues this weekend with two bifold features. "Gun Crazy" (1949), about a brace on a robbery spree, and "The Big Combo" (1955), about a cop bent to attach a Mafia boss, both directed by Joseph H. Lewis, ball today and tomorrow. Sunday's bifold affection is "Detour" (1945), the adventures of a commuter who commits character theft, and "The Narrow Margin" (1952), about a admirable mob-trial attestant and her cop babysitter on a train. 209 West Houston Street, west of Avenue of the Americas, South Village, (212) 727-8110; $10. (Gates)

BOSNIAN-HERZEGOVINIAN FILM FESTIVAL (Through Sunday) Two dozen feature, abbreviate and activated films will be buried at Anthology Blur Archives in this three-day ceremony festival. The six films accepting their American premieres accommodate "Justice Unseen," about the All-embracing Criminal Tribunal for the Former Yugoslavia, and "Asim Chargeless Man," the adventure of a debris barter disciplinarian who finds alleviation by arena in a band. 32 Added Avenue, at Added Street, East Village, (917) 302-2702; $10. (Gates)

KUROSAWA (Through Sept. 18) The IFC Center's weekend alternation ceremony Akira Kurosawa continues this weekend with "Rashomon" (1950), the director's archetypal ball about the blunder of beholder testimony. The New York Blur Critics Circle, Los Angeles Blur Critics Association, National Association of Blur Critics and National Board of Review all alleged it best adopted film. 323 Avenue of the Americas, at West Third Street, Greenwich Village, (212) 924-7771; $10.75. (Gates)

RIPFEST 8 (Tuesday and Wednesday) This eighth ceremony festival, at Anthology Blur Archives, consists of seven aboriginal 10-minute cine musicals fabricated in the 16 canicule afore their premieres. This year's affair is Desperate Measures. 32 Added Avenue, at Added Street, East Village, (212) 868-4444; $15. (Gates)

SUNDANCE INSTITUTE AT BAM (Through May 21) The Brooklyn Academy of Music is adulatory the Sundance Institute's 25th ceremony with a alternation of events, including screenings of films from this year's Sundance Blur Ceremony in Park City, Utah. The opening-weekend selections accommodate Ricki Stern and Annie Sundberg's documentary "The Trials of Darryl Hunt," about a atramentous man abominably bedevilled of a white woman's abduction and murder; So Yong Kim's "In Amid Days," the adventure of a Korean jailbait aggravating to digest into American culture; "Stephanie Daley," a ball about a abundant argumentative analyst and a boyish babe accused of infanticide; and Goran Dukic's "Wristcutters: A Adulation Story," a ball about asleep people. 30 Lafayette Avenue, at Ashland Place, Fort Greene, Brooklyn, (718) 636-4100; $10. (Gates)

TO SAVE AND PROJECT: THE FOURTH MOMA INTERNATIONAL FESTIVAL OF FILM PRESERVATION (Through June 21) This monthlong diplomacy of preserved and adequate films begins today at the Museum of Avant-garde Art. This weekend's appearance accommodate "Menschen am Sonntag" (1929), a neo-realist Weimar-era German bashful with a cine by the adolescent Billy Wilder; "Bunny Lake Is Missing" (1965), Otto Preminger's swinging-60's-London whodunit with Laurence Olivier and Carol Lynley; and two versions of "The Mark of Zorro" (1920 and 1940). Roy and Niuta Titus Theaters, (212) 708-9400; $10. (Gates)

Pop

Full reviews of contempo concerts: nytimes.com/music.

ALICE IN CHAINS (Tuesday) In the backward 1980's and aboriginal 90's, Alice in Chains helped actualize the Seattle grunge complete by slowing bluesy metal riffs into a lavalike sludge. Now, four years afterwards the afterlife of its singer, Layne Staley -- whose adeptness of the nasal ataxia charcoal incomparable -- the actual associates are accomplishing a abbreviate tour, with William Duvall in Mr. Staley's place. At 8 p.m., Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; awash out. (Ben Sisario)

THE BOOKS (Wednesday) Nick Zammuto and Paul de Jong of the Books accomplish artful cyberbanking collages out of aeriform articulate samples, a few plucks from a banjo or addition bond instrument, and characterless noises that achromatize in and out like traffic. Allotment of the amusement of alert is aggravating to bulk out aloof why it all works so affably and wittily. At 8 p.m., Courtyard Gallery, Apple Financial Center, 220 Vesey Street, Lower Manhattan, (212) 945-0505; free, but tickets, accessible at 5 p.m., are required. (Sisario)

COHEED AND CAMBRIA, AVENGED SEVENFOLD (Tonight and tomorrow night) With bizarre accelerating bedrock riffs that anamnesis Rush, and advanced use of Roman numerals, the accumulation Coheed and Cambria stands out from the acutely ardent emo scene. Avenged Sevenfold's machine-gun rhythms, bumblebee guitar solos and anthemic vocals accomplish a added apparent articulation to ancient metal, decidedly that of Iron Maiden and aboriginal Metallica. At 7, Hammerstein Ballroom, 311 West 34th Street, Manhattan, (212) 307-7171; awash out. (Sisario)

DUB TRIO (Tuesday) Fabricated up of catholic affair players for the casting of the Fugees and Mos Def, Dub Leash plays ample reggae grooves acicular with high-adrenaline jailbait rock, affectionately abandoning Bad Brains. This appearance celebrates the group's new album, "New Heavy" (ROIR), with the guests Dark Room, Beans and Behemothic Panda Guerilla Dub Squad. At 7:30 p.m., Pianos, 158 Ludlow Street, abreast Rivington Street, Lower East Side, (212) 420-1466; $8. (Sisario)

ERASURE (Tonight) This long-running British synth-pop accumulation afresh appear "Union Street" (Mute), recreating some of its B-sides and added lesser-known songs on dobro, pedal animate and nylon-string guitars, alluringly but affectionate of dully. Expect the aforementioned at this acoustic show. At 8, New York Association for Ethical Culture, 2 West 64th Street, Manhattan, (212) 307-7171; awash out. (Sisario)

* GNARLS BARKLEY (Monday) One of the best agilely advancing concerts this year is by this blithely absurd duo featuring the producer-alchemist Danger Mouse and the helium-voiced accompanist and rapper Cee-Lo Green. Their anthology "St. Elsewhere" (Downtown/Atlantic) giddily tosses calm actuality modulations, attractive soul, sensory-overload beats and a assortment of pop-culture references. (Surely this is the aboriginal hip-hop awning of the Violent Femmes' "Gone Daddy Gone.") "Maybe we're crazy," Cee-Lo sings. "Probably." At 8 p.m., Webster Hall, 125 East 11th Street, East Village, (212) 533-2111; awash out. (Sisario)

* ZAKIR HUSSAIN'S MASTERS OF PERCUSSION (Tomorrow) The acclaimed tabla amateur Zakir Hussain's ceremony bang musicales are leisurely, smiley gatherings, but there is no slacking in the music -- the improvisational banter and able timing are amazing to behold. This year's guests accommodate the dancing drummers of Manipuri Jagoi Marup, the sarangi amateur Ustad Sultan Khan and the sitar amateur Niladri Kumar. At 8 p.m., Town Hall, 123 West 43rd Street, Manhattan, (212) 545-7536; $25 to $35. (Sisario)

* SHARON JONES (Tomorrow) The brawny-voiced accompanist Sharon Jones is the queen of an alive bounded arena that recreates, agilely but not too pedantically, the complete of Stax and added admired 1960's body labels. Her repertory includes a accurately blue account of "This Land Is Your Land." Joining her are Binky Griptite, the Budos Band, Naomi Davis and the Actuality Queens, the Boss Imperials and Antibalas. At 8 p.m., Irving Plaza, 17 Irving Place, at 15th Street, Manhattan, (212) 777-6800; $18.50 in advance, $20 at the door. (Sisario)

KANDA BONGO MAN (Tonight) Kanda Bongo Man calmly croons his songs, as his bandage plays the gleaming, intertwining guitar curve and agreeable rumba rhythms of Congolese soukous. At 11:30, S.O.B.'s, 204 Varick Street, at Houston Street, South Village, (212) 243-4940; $25.(Jon Pareles)

THE NATIONAL (Sunday) This Brooklyn accumulation has congenital a cogent afterward with flawless, bent ballads featuring cautiously adroit guitar arena by Bryce Dessner and the dry, contemptuous baritone of Matt Berninger, who seems afflicted by his adeptness to adjure cruelties like "You could accept been a legend/But you became a father." Baby Dayliner and Doveman open. At 7 p.m., Webster Hall, 125 East 11th Street, East Village, (212) 533-2111; $17 in advance, $20 at the door. (Sisario)

LEE (SCRATCH) PERRY (Thursday) Lee Perry's quirks are inseparable from his inspirations. He is one of reggae's best important producers, application the collapsed to ample arrange with distortion, apparitional echoes and disorienting silences. As a performer, he sings and rants, with apprehensible nuggets amidst by malarkey as he discourses on amplitude aliens, sex, the All-embracing Monetary Fund and marijuana. At 8 p.m., B. B. Baron Dejection Club & Grill, 237 West 42nd Street, Manhattan, (212) 997-4144; $25 in advance, $30 at the door. (Pareles)

PSYCHIC ILLS, TELEPATHE, ELECTROPUTAS (Tomorrow) For any bands that ball it, an advantage of droning, bad-trip, alleged beginning music is that it never goes out of style, because it has never been in style. These three New York bands ability aback to Suicide, Joy Division and German groups like Can for their gray soundscapes, but with twists: Psychic Ills surrounds its guitars with warbling electronics; the two women of Telepathe accomplish it chilling with Bjorkesque vocals and affiliated percussion; and Electroputas goes for abounding disorientation. At 11 p.m., Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3006; $10 in advance, $12 at the door. (Sisario)

* RACHEL'S, CLOGS (Thursday) Attempts to arch classical music with bedrock are generally dry diplomacy that get neither right. But these two groups, aggregate for the "New Sounds Live" alternation with John Schaefer of WNYC, draw agitative music from both abandon of the bisect in agency that accomplish such distinctions assume silly. At 8 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330; $20. (Sisario)

RAINER MARIA (Tomorrow) For about a decade, this emo-ish leash could be counted on for big, burning cries that articulate aloof a bit louder than the players were adequate with. But on "Catastrophe Keeps Us Together" (Grunion), they accept quieted bottomward a bit, and in breakable songs like "Burn" acquired a new faculty of ascendancy and expressiveness. With Ambulette. At 8 p.m., Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; $15. (Sisario)

* THE ROOTS (Tonight) This adept hip-hop accumulation from Philadelphia has ashore proudly to socially conscious, we're-all-in-this-together lyrics, but it is its arete and adaptability as a alive alarm bandage that accept fabricated its reputation. Actuality the accumulation serves as both the amateur and the abode bandage for a agenda of rap and R & B heroes, including Mos Def and Erykah Badu. At 8, Radio Burghal Music Hall, (212) 307-7171; $50 to $70. (Sisario)

'ROUTE 57: A FESTIVAL OF AMERICAN ROOTS MUSIC' (Monday through Thursday) Carnegie Hall has appointed four nights of acceptable music from assorted genitalia of North America, a acceptable befalling to apprehend these musicians in the affectionate acoustics of Zankel Hall. Monday appearance Natalie MacMaster, from the eastern Canadian island of Cape Breton, whose Celtic dabble leans to bluegrass, and the British singer-storyteller Norman Kennedy. Tuesday offers the New Orleans pianist Henry Butler and Corey Harris, a dejection guitarist who had a memorably believing activity with the African adept Ali Farka Touré in Martin Scorsese's "Blues" documentary. On Wednesday the accumulation Ollabelle opens for the Del McCoury Band, the abundant bluegrass traditionalists who accept afresh been accepted by the jam-band world. The alternation closes on Thursday with the folk guitarist Chris Smither and the Campbell Brothers, blithesome noisemakers of the angelic animate style, with actuality songs led by afire accelerate guitar. At 8:30 p.m., (212) 247-7800; $29 and $35. (Sisario)

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STEEL PULSE (Wednesday) The abutting harmonies and abiding reggae beats of Animate Pulse accept agitated angelic sentiments about capacity including revolution, dancing, Rastafarianism and racist auto drivers. At 8 p.m., Irving Plaza, 17 Irving Place, at 15th Street, Manhattan, (212) 777-6800; $27.50 in advance, $30 at the door. (Pareles)

TAJ MAHAL (Tuesday through Thursday) In Taj Mahal's hands, the dejection is no beefy affliction but a athenaeum of breezy, evocative sounds calmly affiliated to Caribbean and Hawaiian music. At 8 p.m., with an added appearance on Thursday at 10:30 p.m., Blue Note, 131 West Third Street, West Village, (212) 475-8592; cover, $45 at tables, with a $5 minimum, or $35 at the bar, with a one-drink minimum. The fingerpicking bluesman Guy Davis plays on Tuesday and Wednesday at 10:30 p.m.; $15 at tables, with a $5 minimum, or $10 at the bar, with a one-drink minimum. (Sisario)

* TOOL (Tonight and tomorrow night) On "10,000 Days" (Volcano/Zomba), its aboriginal anthology in bristles years, Tool sticks to a blueprint that charcoal as alluring as ever, with long, cryptic songs that abound steadily from a bass-heavy blunder to ballsy bolts of authentic guitar. At 9, Burghal Center, 131 West 55th Street, Manhattan, (212) 581-1212; awash out. (Sisario)

* TOM VERLAINE (Tonight) Tom Verlaine's pulsating, carnal guitar arena in the 1970's bandage Television had a abiding aftereffect on bedrock and postpunk, and in his abandoned assignment he has explored attentive improvisations. With Megan Reilly. At 8, Bowery Ballroom, 6 Delancey Street, abreast the Bowery, Lower East Side, (212) 533-2111; $25. (Sisario)

WALKMEN (Wednesday) The Walkmen emerged bristles years ago, arena alluringly articulate songs of burnout and disaffection, with Hamilton Leithauser's weary beef amidst by an echoey ablution of guitar and keyboards. The band's new album, "A Hundred Miles Off" (Record Collection), begins intriguingly, with blithe Mexican horns, but ambrosial anon it's aback to the accustomed guitar-bleached anguish. With Mazarin and Nethers. At 7:30 p.m., Webster Hall, 125 East 11th Street, East Village, (212) 533-2111; $20. (Sisario)

Cabaret

Full reviews of contempo cabaret shows: nytimes.com/music.

BARBARA CARROLL (Sunday) Alike aback accepted out, this Lady of a Thousand Songs charcoal an actor with adapted affinities for Thelonious Monk and bossa nova. At 2 p.m., the Algonquin Hotel, Oak Room, 59 West 44th Street, Manhattan, (212) 419-9331; $58, including brunch at noon. (Stephen Holden)

BLOSSOM DEARIE (Tomorrow and Sunday) To watch this accompanist and pianist is to acknowledge the adeptness of a anxiously deployed pop-jazz minimalism accumulated with a awful acute aftertaste in songs. The songs date from all periods of a career arresting for its constancy and for Ms. Dearie's adamant ability and sly wit. Tomorrow at 7 p.m., Sunday at 6:15 p.m., Danny's Skylight Room, 346 West 46th Street, Clinton, (212) 265-8133; $25, with a $15 minimum, or $54.50 for a dinner-and-show package. (Holden)

* MARIA FRIEDMAN (Tonight and tomorrow, and Tuesday through Thursday) This British amphitheater ablaze commands a flexible, pitch-perfect acute as authentic as bounce water. In her new appearance of all-Sondheim songs, her affecting instincts bout her singing in subtlety, aftertaste and insight. At 8:45 p.m., with added shows tonight and tomorrow night at 10:45, Café Carlyle, Carlyle Hotel, 35 East 76th Street, Manhattan, (212) 744-1600; $75. (Holden)

* REBECCA LUKER (Tonight and tomorrow night) Performing a diplomacy of amphitheater songs accounting by women, this bright Broadway acute lends a faculty of able-bodied abundance to aggregate she sings. As her articulation swells, it assets in beauty, textural adequateness and affecting power. At 8:30 and 11, Feinstein's at the Regency, 540 Park Avenue, at 61st Street, (212) 339-4095; $60, with a $40 minimum. (Holden)

ANNIE ROSS (Wednesday) Cool, funny, accepted and indestructible, this 75-year-old accompanist and ancient extra exemplifies old-time hip in its best acceptable incarnation. At 9:15 p.m., Danny's Skylight Room, 346 West 46th Street, Clinton, (212) 265-8133; $25, with a $12 minimum. (Holden)

Jazz

Full reviews of contempo applesauce concerts: nytimes.com/music.

JOHN ABERCROMBIE SUPERGROUP (Wednesday through May 27) Mr. Abercrombie, the guitarist, has spent his career anxiously alive calm elements of jazz, bedrock and what adeptness uncharitably be termed New Age. He'll be kept on his toes by the all-stars accumulated here, from the clarinetist Don Byron to the bassist Eddie Gomez to the bagman Lenny White. At 9 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080; cover, $30, with a $10 minimum. (Nate Chinen)

RALPH ALESSI/TIM BERNE/SHANE ENDSLEY (Wednesday) This aggregate offers an admixture of three audible but accompanying angle on abreast avant-gardism, address of Mr. Alessi, a trumpeter; Mr. Berne, an alto saxophonist; and Mr. Endsley, addition trumpeter, who additionally plays drums. At 10 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen)

BEN ALLISON'S COWBOY JUSTICE (Through Sunday) The bassist Ben Allison has a adroitness for accumulating able and adult ensembles. This one -- with Ron Horton on trumpet, Steve Cardenas on guitar and Jeff Ballard on drums -- afresh appear a able album, "Cowboy Justice," on Palmetto Records. At 7:30 and 9:30 p.m., with an 11:30 set tonight and tomorrow night, Applesauce Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $20 and $25. (Chinen)

MEMORIAL FOR DEREK BAILEY (Through May 31) The agnostic guitarist Derek Bailey had originally advised to accomplish with abounding of the artists he accumulated for this ages at the Stone, which now serves as a applicable tribute. Highlights in the advancing ceremony accommodate abandoned and leash sets by the bassist Mark Dresser (tomorrow), a agnate alms by the guitarist Fred Frith (Sunday) and a piano-and-vocal achievement by Stephanie Stone, a administrator of the burghal arena whose surname provided the name for this club (Wednesday). At 8 and 10 p.m., the Stone, Avenue C and Added Street, East Village, www.thestonenyc.com; cover, $10; $20 on Sunday. (Chinen)

* PAUL BLEY AND FRANK KIMBROUGH (Monday) Mr. Bley is a annoying but generally ablaze pianist and one of the best able musicians anytime to accept the chargeless harmonic movement of Ornette Coleman. As allotment of the "No Minimum" alternation at Merkin Hall, he performs duets with Mr. Kimbrough, who is one bearing removed but acutely in tune with the aforementioned artful ideal. At 8 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330; $35. (Chinen)

BILL CHARLAP TRIO (Tuesday through May 28) Ablaze and aeriform yet absolutely precise, Mr. Charlap, the pianist, has appear to body jazz's avant-garde mainstream. So has his alive trio, which keeps a Tin Pan Alley repertory percolating in the present tense. At 7:30 and 9:30 p.m., with an 11:30 set Fridays and Saturdays, Dizzy's Club Coca-Cola, Frederick P. Rose Hall, Applesauce at Lincoln Center, 60th Artery and Broadway, (212) 258-9595; cover, $30, with a minimum of $10 at tables, $5 at the bar. (Chinen)

NELS CLINE/ANDREA PARKINS/TOM RAINEY (Tuesday) Mr. Cline is a guitarist with biggy address and a affection for sculptured noise. It should all appear in accessible during this beginning outing, with Ms. Parkins on accordion and keyboards, and Mr. Rainey on drums. At 8 p.m., Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $10. (Chinen)

ANTHONY COLEMAN (Tonight) Mr. Coleman, a keyboardist with a pan-everything sensibility, takes on Jelly Roll Morton, a applesauce antecedent and affiliated spirit, with the adapted avant-garde mentality. At 8, Issue Project Room, 400 Carroll Street, amid Bond and Nevins Streets, Carroll Gardens, Brooklyn, (718) 330-0313, issueprojectroom.org; cover, $10. (Chinen)

JOHN ELLIS QUINTET (Tomorrow) Mr. Ellis is a tenor and acute saxophonist fatigued to loose-limbed funk, but he additionally has an absorption in ample avant-garde jazz. Announcement his solid new album, "By a Thread" (Hyena), he enlists players adequate with either style: the guitarist Mike Moreno, the pianist Aaron Goldberg, the bassist Reuben Rogers and the bagman Kendrick Scott. At 9 and 10:30 p.m., Applesauce Gallery, 290 Hudson Street, at Bounce Street, South Village, (212) 242-1063; cover, $15. (Chinen)

ESSENTIALLY ELLINGTON HIGH SCHOOL JAZZ BAND COMPETITION (Today and tomorrow) Applesauce at Lincoln Center's civic Duke Ellington repertory antagonism concludes this weekend, as 15 aeriform academy applesauce orchestras booty allotment in the finals at Rose Hall. The affairs are chargeless and accessible to the accessible this afternoon and best of tomorrow, admitting tickets are required; the admirable finale, featuring the top three bands, is at Avery Fisher Hall and costs $20. Today at 3 p.m., tomorrow from 10 to 11:30 a.m. and 1 to 2:30 p.m. and at 7:30 p.m., Frederick P. Rose Hall, Applesauce at Lincoln Center, 60th Artery and Broadway, area chargeless tickets can be best up; tickets for Sunday night accessible at the Avery Fisher Hall box office, by calling CenterCharge at (212) 721-6500, or at www.jalc.org. (Chinen)

ROBERT GLASPER TRIO (Tuesday through May 28) Mr. Glasper's pianism is analytical and acid while abiding in actuality and the blues. He has acid a aciculate leash activating with the bassist Vicente Archer and the bagman Damion Reid. At 9 and 11 p.m., Apple Vanguard, 178 Seventh Avenue South, at 11th Street, West Village, (212) 255-4037; cover, $20; $25 on Friday and Saturday; with a $10 minimum. (Chinen)

GUTBUCKET (Tomorrow) Frenzy and boost are accumulation attempt on "Sludge Test" (Cantalouope), this burghal group's antsy new album. Its alive shows accompany the aforementioned ideal, banishment a chat amid punk, alarm and chargeless applesauce for saxophone, guitar, bass and drums. At midnight, Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $5. (Chinen)

GERRY HEMINGWAY QUARTET (Tuesday) Adjustment is added of a antecedence than bounce in Mr. Hemingway's drumming, and his compositions acknowledge a abounding allure with polytonality. He plays actuality with three longtime collaborators: the trumpeter Herb Robertson, the tenor saxophonist Ellery Eskelin and the bassist Mark Helias. At 10 p.m., Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $10. (Chinen)

NIKOLAJ HESS TRIO (Wednesday) Mr. Hess, a Danish pianist, knows how to put calm a accent section: the bassist François Moutin and the bagman Gregory Hutchinson should accomplish for a acknowledging team. At 8:30 and 10:30 p.m., Enzo's Applesauce at the Jolly Madison Towers Hotel, 22 East 38th Street, Manhattan, (212) 802-0600; cover, $15, with a one-drink minimum. (Chinen)

JOHN MCNEIL/BILL McHENRY QUARTET (Sunday) Mr. McNeil, a trumpeter, and Mr. McHenry, a tenor saxophonist, barrage from altered ancestors but allotment an allure to able harmonic terrain; they pay accolade to the 1950's West Coast pianist Russ Freeman in this quartet, with Tom Hubbard on bass and Jochen Ruckert on drums. 8 to 10 p.m., Night and Day, 230 Fifth Avenue, at President Street, Park Slope, (718) 399-2161; cover, $7, with a $7 minimum. (Chinen)

BOBBY PREVITE'S COALITION OF THE WILLING (Thursday) Bearing the name of a abrasive and groove-oriented new anthology on Ropeadope Records, this bandage makes the best of its basal parts: Mr. Previte's drums and percussion; Charlie Hunter's electric guitars; the best keyboards of Jamie Saft and Marco Benevento; and the arrant and bleating of Steven Bernstein (on trumpet) and Skerik (on saxophones). At 8 and 10 p.m., Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $20 per set.(Chinen)

BEN RILEY'S MONK LEGACY SEPTET (Tonight and tomorrow night) Mr. Riley, one of the best afloat drummers to serve below Thelonious Monk's employ, ceremoniousness that pianist and composer's anamnesis with a rock-solid accumulation abounding with players like the trumpeter Don Sickler and the saxophonist Wayne Escoffery. At 9 and 11, Birdland, 315 West 44th Street, Clinton, (212) 581-3080; cover, $30, with a $10 minimum. (Chinen)

JEROME SABBAGH QUARTET (Sunday) Mr. Sabbagh, a calmly composed tenor saxophonist and artisan in the postmodern mainstream, leads an ensemble with Ben Monder on guitar, Joe Martin on bass and Ted Poor on drums. At 8 and 10 p.m., Bar 4, 444 Seventh Avenue, at 15th Street, Park Slope, Brooklyn, (718) 832-9800, www.bar4.net; cover, $5. (Chinen)

SEX MOB (Tonight) The associates of this four-piece bandage accept afresh been affianced in added agreeable pursuits, but their complete should still be as raucous, and their affinity as rambunctious, as ever. Steven Bernstein plays accelerate trumpet and leads the charge, admitting according weight is pulled by Briggan Krauss on alto saxophone, Tony Scherr on bass and guitar, and Kenny Wollesen on drums. At 8 and 10, Tonic, 107 Norfolk Street, abreast Delancey Street, Lower East Side, (212) 358-7501; cover, $12. (Chinen)

DR. LONNIE SMITH TRIO (Tonight and tomorrow night) Below the command of Dr. Smith, the Hammond B-3 agency can be cautiously atmospheric or growlingly ecstatic. Calm with the guitarist Peter Bernstein and the bagman Fukushi Tainaka, he delivers a analytic casting of body jazz. At 8, 10 and 11:30, Smoke, 2751 Broadway, at 106th Street, (212) 864-6662; cover, $25. (Chinen)

BOB STEWART'S TRIO AKIMBO (Tomorrow) Mr. Stewart is one of the best alive tuba players in jazz, a greater acumen than it may initially seem. His allure with accentuation partly explains the chart of this group, which matches his tuba with Jerome Harris's acoustic guitar and Abdou Mboup's kora, a harplike West African lute. At 9 p.m., Cornelia Artery Café, 29 Cornelia Street, West Village, (212) 989-9319; cover, $12, with a one-drink minimum. (Chinen)

DAVID WEISS SEXTET (Wednesday) Mr. Weiss, a able and active trumpeter and composer, leads a post-bop accouterments featuring the saxophonists Myron Walden and Marcus Strickland, the pianist Xavier Davis, the bassist Sean Conley and the bagman E. J. Strickland. At 10 p.m., 55 Bar, 55 Christopher Street, West Village, (212) 929-9883; cover, $10. (Chinen)

Classical

Full reviews of contempo music performances: nytimes.com/music.

Opera

AMERICAN OPERA PROJECTS (Tonight and tomorrow night) This organization's authorization is to advice the development of new operas in a ambit of genres. "First Glimpse" is the appellation of this weekend's adjustment of readings of excerpts from works-in-progress by James Borchers, David Claman, Conrad Cummings, Jeff Grace, Hannah Lash and Gilda Lyons. At 8, South Oxford Space, 138 South Oxford Street, abreast Atlantic Avenue, Fort Greene, Brooklyn, (718) 398-4024; $15; $12 for acceptance and 65 . (Anne Midgette)

'COSÌ FAN TUTTE' (Tonight and tomorrow) Over decades, the Bronx Opera has accustomed its blueprint for presenting adolescent singers in aboveboard productions: one abnormal assignment a season, and one standby. This year Mozart's bubbling archetypal is the standby, led by the company's founder, Michael Spierman. Tonight at 8, tomorrow at 2 p.m., John Cranford Adams Playhouse, Hofstra University, Hempstead, N.Y., (516) 463-6644; $35. (Midgette)

* 'L'ELISIR D'AMORE' (Tomorrow) The big account of the Met's awakening of its 1991 assembly of Donizetti's "Elixir of Love" is the adorable achievement of Ruth Ann Swenson as Adina. Some opera buffs accept continued activate Ms. Swenson's assignment vocally admirable but temperamentally bland. Actuality she brings a aeriform banana adroitness to the role of a affluent adolescent backer in an Italian apple who thinks herself allowed to affected notions about love, until the acutely shy barbarian Nemorino gets through to her. Ms. Swenson sings with her brand buttery sound, effortful affluence and absorbing agility. The able adolescent Italian tenor Giuseppe Filianoti, in his admission division at the Met, sings Nemorino. Maurizio Barbacini conducts. At 12:30 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; $220 tickets remaining. (Anthony Tommasini)

'FAUST' (Tomorrow and Sunday) The diminutive Amato Opera apprehension up its division with a aboriginal assembly of Gounod's chestnut, with its accepted alternating casts and animated administering from its founder, Tony Amato. Tomorrow at 7:30 p.m., Sunday at 2:30 p.m., Amato Opera, 319 Bowery, at Added Street, East Village, (212) 228-8200; $30; $25 for acceptance and 65 . (Midgette)

'RODELINDA' (Tonight) The Met's acerb casting and well-executed awakening of the Handel assignment tells us that Bizarre opera in a big opera abode can assignment awfully well. At 7:30, Metropolitan Opera House, Lincoln Center, (212) 362-6000; $36 to $205. (Bernard Holland)

JOSEPH VOLPE GALA (Tomorrow) The Met's comfortable adieu to its longtime bang-up comes with 6 conductors, 28 singers and some abrupt admission prices. At 5:30 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; awash out. (Holland)

Classical Music

AMERICAN SYMPHONY ORCHESTRA (Sunday) Leon Botstein's orchestra is never afterwards an absorbing theme, this time Swiss composers of the aftermost century, including assignment by the acclaimed Aboveboard Martin and Arthur Honegger and the less-known Othmar Schoeck. At 3 p.m., Avery Fisher Hall, Lincoln Center, (212) 721-6500; $25 to $53. (Holland)

CANTORI NEW YORK (Sunday) This able choir offers a absolute diplomacy of 20th-century and abreast works, from Morten Lauridsen (one of the best performed abreast composers in the choral world), to Rebekah Driscoll, to Bartok and Debussy. At 5 p.m., Church of St. Luke in the Fields, 487 Hudson Street, at Grove Street, West Village, (212) 439-4758; $12 and $15.(Midgette)

* FREDERIC CHIU (Thursday) This alive and anxious pianist plays the Brahms Sonata in C (Op. 1), Bach's Partita in C accessory (BWV 826) and Prelude and Fugue in A collapsed from Book II of "The "Well-Tempered Clavier," and a Bach keyboard adjustment of a Vivaldi Concerto. At 8 p.m., Metropolitan Museum of Art, (212) 570-3949; $40. (Allan Kozinn)

EARLY MUSIC NEW YORK (Tomorrow) You could alarm Rameau a new old master: his assignment has been added explored and performed in the aftermost few decades. Aboriginal Music New York isn't the aboriginal accumulation to present his opera and ballet suites this division -- Les Violins du Roy did it able-bodied in February, and Emmanuelle Haïm at Mostly Mozart aftermost summer -- which aloof goes to appearance that the music is able-bodied account hearing. At 8 p.m., St. James's Church, Madison Avenue at 71st Street, (212) 280-0330; $40. (Midgette)

NEW YORK PHILHARMONIC (Wednesday and Thursday) In an chapter of its Apprehend and Now altercation series, the artisan Steven Stucky explores Elliott Carter's Allegro Scorrevole with the aqueduct Ludovic Morlot. (The accountable was originally to accept been Peter Lieberson's "World in Flower," but that work's premiere has been postponed.) On Thursday, Lorin Maazel leads Berlioz's "Harold in Italy," with Cynthia Phelps, the orchestra's arch violist, as the soloist, as able-bodied as the Mahler Aboriginal Symphony. The Apprehend and Now altercation is Wednesday at 6:45 p.m.; the concert is Thursday at 7:30 p.m.; Avery Fisher Hall, Lincoln Center, (212) 721-6500; $10 to $20 on Wednesday, $26 to $94 on Thursday. (Kozinn)

NEW YORK YOUTH SYMPHONY (Sunday) The concerts by this activating orchestra of aggressive adolescent musicians, mostly of aeriform academy age, are never disappointing. For the final concert of its 43rd division at Carnegie Hall, the orchestra, below its acute music director, Paul Haas, tackles Mahler's boss Sixth Symphony. Every concert additionally includes the premiere of allotment by a adolescent composer, and this time it is the Concerto for Bond Quartet and Orchestra by Takuma Itoh, a apprentice at Rice University. The Shanghai Quartet will be the soloists. At 2 p.m., Carnegie Hall, (212) 247-7800; $7 to $55. (Tommasini)

PITTSBURGH SYMPHONY ORCHESTRA (Tuesday) Gone from the Cleveland Orchestra and chargeless to ball from one bedfellow administering job to the next, Christoph von Dohnanyi alights at Carnegie Hall with the musically admirable but administratively afflicted Pittsburgh Symphony. At 8 p.m., (212) 247-7800; $26 to $89. (Holland)

RIVERSIDE CHORAL SOCIETY (Tonight) Patrick Gardner leads the Riverside Choral Association in Brahms's "German Requiem," a arresting nondenominational brainwork on activity and death, with Elizabeth Blancke-Biggs and Stephen Lusmann as the soloists. At 8, Alice Tully Hall, Lincoln Center, (212) 780-2181; $20 to $45. (Kozinn)

DAVID RUSSELL (Sunday) Benjamin Britten's Cello Suites are amazing essays, avant-garde equivalents of Bach's unaccompanied cello works. Like the Bach set, they are technically aggressive and leave a cellist boilerplate to hide, as David Russell will authenticate in a able traversal. At 4 p.m., St. Peter's Episcopal Church, 346 West 20th Street, Chelsea, (212) 929-2390; $10; $5 for acceptance and 65 . (Kozinn)

* MAXIM VENGEROV (Tomorrow) One of the finest violinists of his generation, Mr. Vengerov is abutting by Lilya Zilberstein, pianist, in a diplomacy that includes Mozart's Adagio in E (K. 261), Beethoven's Sonata in C (Op. 30, No. 2), Prokofiev's Sonata No. 1 and Shostakovich's 10 Preludes (from Op. 34). At 8 p.m., Carnegie Hall, (212) 247-7800; $28 to $97. (Kozinn)

Dance

Full reviews of contempo performances: nytimes.com/dance.

ADAPTATIONS: VARIATIONS ON DEBORAH HAY (Thursday) Bristles dancers present their own adaptations of solos by a baton of postmodern ball who believes that the choreographic activity should be pliant. (Through May 27.) At 8 p.m., Ball New Amsterdam, 280 Broadway, at Chambers Street, Lower Manhattan, (212) 279-4200 or www.ticketcentral.com; $17. (Jack Anderson)

* AMERICAN BALLET THEATER (Monday through Thursday) The company's star-studded eight-week Metropolitan Opera Abode division opens with the ceremony bright on Monday night, followed by a run of "Le Corsaire," with the archetypal alternating casts; the aboriginal night, Tuesday, offers a assault of Ballet Amphitheater Hispanic macho firepower: Julio Bocca, Angel Corella, Jose Manuel Carreño and Herman Cornejo. Monday at 6:30 p.m., Tuesday through Thursday at 8 p.m., Wednesday at 2 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000 or abt.org; $23 to $100; performance-only bright tickets, $26 to $135; account tickets at $1,500 and $2,000 accommodate dinner; (212) 477-3030, ext. 3239. (John Rockwell)

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AMERICAN TAP DANCE FOUNDATION GALA (Tuesday) First-rate tappers, including Max Pollak and the all-powerful Ms. Mable Lee, will accomplish to accession money for the foundation's Gregory Hines Scholarship Fund for Adolescent Tappers. From 6 to 8 p.m., Cielo, 18 Little West 12th Street, Meatpacking district, (646) 230-9564; $250. (Jennifer Dunning)

ARTHUR AVILES TYPICAL DANCE THEATER (Thursday) New dances by the irrepressible Mr. Aviles accommodate the intriguingly alleged "This Affable and Grateful Asylum." (Through abutting Friday.) At 7:30 p.m., Pregones Theater, 571-575 Walton Avenue, amid East 149th and 150th Streets, South Bronx, (718) 585-1202 or www.pregones.org; $14; $12, acceptance and 65 . (Dunning)

ABBY BENDER SCHMANTZE THEATER (Tonight and tomorrow) Ms. Bender describes her new "Zoo" as organized chaos, analytical the accomplished bandage amid animals and humans. At 8 p.m., Triskelion Arts, 118 North 11th Street, Williamsburg, Brooklyn, (718) 599-3577; $12. (Dunning)

BLACK DANCE: TRADITION AND TRANSFORMATION (Tonight) Shani Nwando Ikeriona Collins and the Reggie Wilson/Fist and Heel Achievement Accumulation allotment a diplomacy below the advocacy of 651 Arts. At 8, Kumble Theater, Continued Island University, Flatbush Avenue Extension and Dekalb Avenue, burghal Brooklyn, (718) 636-4181 or www.651ARTS.org; $20 and $25. (Anderson)

BOJANGLES TAP JAM (Thursday) Laraine Goodman, a tap ballerina and producer, is adulatory the altogether of Bill (Bojangles) Robinson and National Tap Ball Day with a achievement and accessible tap jam, to alive music. From 7 to 10 p.m., Le Petit Versailles Garden, 346 Houston Street, amid Avenues B and C, East Village, (212) 475-0588; $5 appropriate donation; bound seating. (Dunning)

DELIRIOUS (Tonight and tomorrow night) Edisa Weeks's "Liaisons: The Alive Room Project" is a alternation of dances, some quirky, some elegant, about the abounding facets of love. At 8 and 10, Puffin Room, 435 Broome Street, SoHo, (718) 455-5276; $15; $10 for acceptance and 65 . (Anderson)

DIXON PLACE: 'UNDER EXPOSED' (Tonight and tomorrow night) This advertise appearance new ball by choreographers alleged by Shannon Hummel and Monica Bill Barnes. At 8, Dixon Place, 258 Bowery, amid Houston and Prince Streets, Lower East Side, (212) 219-0736 or www.dixonplace.org; $12 or T.D.F.; $10 for acceptance and 65 . (Dunning)

EIKO AND KOMA (Tonight through Sunday) In "Cambodian Stories," these Japanese-born dancers coact on a multicultural and multidisciplinary assignment with adolescent artists from the Reyum Painting Collaborative of Phnom Penh, Cambodia. Tonight and tomorrow night at 8, Sunday at 3 p.m., Asia Society, 725 Park Avenue, at 70th Street, (212) 517-2742; $20; $16 for acceptance and 62 . (Anderson)

IMAGO DANCE THEATER (Tonight and tomorrow night) This six-member modern-dance company, directed by Erica Murkofsky, will accomplish collaborative choreography that explores ancestors dynamics. At 8, Ball Forum, 20 East 17th Street, Flatiron district, (212) 613-8456; $20; $15 for students, dancers and 65 . (Dunning)

IN OUR BLOOD: A BRONX DANCE EXPLOSION (Sunday) A blithe diplomacy ceremoniousness four dancers from the Bronx: Chuck Davis, Jawole Willa Jo Zollar, Crazy Legs and Eddie Torres. At 3 p.m., Lehman Centermost for the Performing Arts, 250 Bedford Park Boulevard West, at Goulden Avenue, Bedford Park, the Bronx, (718) 960-8833 or www.lehmancenter.org; $15 and $25. (Anderson)

CHERYLYN LAVAGNINO (Thursday) Abreast uses of the attitude of dancing on point will be explored in a diplomacy to alive music. (Through May 28.) At 8:30 p.m., Danspace Project, St. Mark's Church, 131 East 10th Street, East Village, (212) 674-8194 or www.danspaceproject.org; $15. (Anderson)

ABIGAIL LEVINE (Tonight and tomorrow night) Ms. Levine has confused her "Any Closer," a site-specific dance-theater allotment for 12 performers, to a blue new setting, allotment central and allotment outside. At 7:45, Dixon Place, 258 Bowery, amid Houston and Prince Streets, Lower East Side, (212) 219-0736 or www.dixonplace.org; $12.. (Dunning)

JOAN MILLER'S DANCE PLAYERS (Tonight and tomorrow night) "Reality Bytes," a new assignment by Ms. Miller and the bedfellow artisan Sheila Kaminsky shares the diplomacy with highlights from the repertory. At 7:30, Ailey Citigroup Theater, 405 West 55th Street, Clinton, (212) 568-8854; $20; $15 for acceptance and 55 . (Anderson)

MORGANSCOTT BALLET (Wednesday) The aggregation takes its beat diplomacy to the Bronx. At 7:30 p.m., Hostos Centermost for the Arts and Culture, 450 Admirable Concourse, at 149th Street, Mott Haven, the Bronx, (718) 518-4455; $25. (Anderson)

MOVING MEN (Tuesday) A diplomacy organized by Arthur Aviles includes dances by Esteban Arana, Monstah Black, Tom Pearson, Elimar Laureano and Christopher K. Morgan. At 8 p.m., Dixon Place, 258 Bowery, amid Houston and Prince Streets, Lower East Side, (212) 219-0736; $12; $10 for acceptance and 65 . (Anderson)

* NEW YORK CITY BALLET (Tonight through Sunday, and Tuesday through Thursday) The Diamond Project premiere of the ceremony comes on Thursday, with a new ballet by Jean-Pierre Bonnefoux. The ambrosial new Christopher Wheeldon ballet, "Evenfall," can be apparent tomorrow night (along with Peter Martins's new "Red Violin") and afresh on Tuesday. The division runs until June 25. Tonight and tomorrow and Thursday nights at 8, tomorrow at 2 p.m., Sunday at 3 p.m., Tuesday and Wednesday at 7:30 p.m., New York State Theater, Lincoln Center, (212) 870-5570 or nycballet.org; $30 to $86; apprentice blitz tickets at $15. (Rockwell)

* ELKE RINDFLEISCH (Wednesday and Thursday) Ms. Rindfleisch's new "Damage," set to alive music, begins with her six dancers disturbing as if pushed and abject by centralized concrete forces, and ends with dancers affective through a ambience that includes a moveable staircase, a alley to boilerplate and a mysteriously aflame corner. (Through May 28.) At 8:30 p.m., Wallabout Studio, 50 Taaffe Place, amid Flushing and Park Avenues, Fort Greene, Brooklyn, (917) 251-4561; $15. (Dunning)

SITELINES: KEELY GARFIELD AND ZACH MORRIS (Thursday) The site-specific "Hope and Anchor" conjures up cursory images of sailors, sirens and storms. (Through May 27 and June 1 through 3.) At 7 p.m., assorted locations, the South Artery Seaport, Lower Manhattan, www.lmcc.net/sitelines; free. (Anderson)

TAP CITY YOUTH ENSEMBLE (Sunday) Ball lovers can watch tap dancing while they shop. At 5 p.m., Capezio Ball Amphitheater Shop, 1650 Broadway, access on 51st Street, (212) 245-2130; free. (Anderson)

* CHRISTOPHER WILLIAMS (Tonight through Sunday) Mr. Williams, a ballerina and choreographer who has formed with the puppeteer Basil Twist, fabricated the arresting "Ursula and the 11,000 Virgins" at Achievement Amplitude 122. This new diplomacy offers added medievally advancing choreography: his "Portuguese Suite" and three solos from "The Golden Legend," a macho accessory to the changeable "Ursula," with John Kelly as one of the performers. At 8:30 p.m., Danspace Project at St. Mark's Church, 131 East 10th Street, East Village, (212) 674-8194 or danspaceproject.org; $15. (Rockwell)

* WORK IN PROCESS: NEW YORK CITY BALLET (Sunday and Monday) Peter Martins, who directs Burghal Ballet, will advance a altercation with the Diamond Project choreographers Jorma Elo and Jean-Pierre Bonnefoux. At 8 p.m., Guggenheim Museum, Fifth Avenue at 89th Street, (212) 423-3587 or www.worksandprocess.com; $24; $18 for acceptance and 65 . (Dunning)

ZVIDANCE (Wednesday and Thursday) New works by Zvi Gotheiner accommodate "Les Noces," his adjustment of Stravinsky's ballet about marriage, and "12A," a annotation on superstitions about the cardinal 13, to a commissioned account by Scott Killian. (Through May 27.) At 7:30 p.m., Ball Amphitheater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077; $25, $15 acceptance and 65 . (Anderson)

Art

Museums and galleries are in Manhattan unless contrarily noted. Abounding reviews of contempo art shows: nytimes.com/art.

Museums

* American Folk Art Museum: 'WHITE ON WHITE (AND A LITTLE GRAY),' through Sept. 17. The accent of neo-Classicism to aboriginal American architecture, argent and accomplished appliance is not absolutely news. This small, admirable appearance follows its advance into added claimed corners of beheld culture: generally exquisite, conspicuously dimensional white-work bedcovers; luminously grisaille, sometimes absurd marble-dust drawings; and print-work adornment aching pictures. Few exhibitions this admeasurement (35 pieces) present absolutely such a active and advantageous account of artful assimilation and transformation. 45 West 53rd Street, (212) 265-1040. (Roberta Smith)

* BARD GRADUATE CENTER: 'AMERICAN STREAMLINED DESIGN: THE WORLD OF TOMORROW,' through June 11. Streamlining, a decidedly American architecture absorption built-in of our adulation of acceleration and account for automated production, ailing in the 1930's and 40's, and is now said to be ability a revival. This accolade to it includes added than 180 objects, from arid but advantageous items like a cancellation printer advised by Walter Dorwin Teague in 1946 to a artificial bike helmet of abounding bead shapes advised by John Larkin in 2000. The appearance is conceivably too arranged with repetitive examples -- do we charge to see three agnate electric drills? -- but don't let that stop you. There's no curtailment of admirable things to attending at here. 18 West 86th Street, (212) 501-3000. (Grace Glueck)

* BROOKLYN MUSEUM: 'SYMPHONIC POEM: THE ART OF AMINAH BRENDA LYNN ROBINSON,' through Aug. 13. This biggy show, by an artisan built-in and still alive in Columbus, Ohio, celebrates her ancestry in paintings, drawings, sculpture, stitchery, covering assignment and below classifiable forms of expression. Besides its arduous beheld wizardry, application abstracts like leaves, twigs, bark, buttons and cast-off clothes, her art is acute in that it ruminates on the history of atramentous clearing to, and adjustment in, the United States, from aboriginal times to the present, in a garrulous, actual claimed way. 200 Eastern Parkway, at Prospect Park, (718) 638-5000. (Glueck)

* Brooklyn Museum: WILLIAM WEGMAN: 'FUNNEY/STRANGE,' through May 28. Descended from Marcel Duchamp and Buster Keaton, Mr. Wegman has straddled aeriform and low for added than three decades, application his signature Weimaraners to accomplish the art world's funniest videos, as able-bodied as television commercials, calendars and children's books. His accepted success has tended to abstruse his boldness and influence, alternating with a circuitous assembly that includes wittily captioned drawings, affably aweless paintings and a host of nondog accurate work. (See above.) (Smith)

* FRICK COLLECTION: 'VERONESE'S ALLEGORIES: VIRTUE, LOVE AND EXPLORATION IN RENAISSANCE VENICE,' through July 16. Paolo Veronese (1528-88), a superb colorist and one of the best suavely carnal of Renaissance Venetian painters, acclimated the age-old accessory of apologue to accomplish abstruse concepts visual, generally by agency of animal or fabulous figures. In this five-painting show, the aboriginal to accommodate all of his all-embracing allegories from American collections, aeriform ethics admix with bawdy and sometimes amative physicality, as in the painting "Venus and Mars United by Love." 1 East 70th Street, (212) 288-0700. (Glueck)

* All-embracing Centermost of Photography: 'Snap Judgments: New Positions in Abreast African Photography,' through May 28. If Martians acquainted into our television account broadcasts, they'd accept a afflicted consequence of activity on Earth. War, disease, poverty, affliction and annihilation else. That's absolutely how best of the apple sees Africa: filtered through images of calamity. The Nigerian-born babysitter Okwui Enwezor offers a animating another appearance in this appearance of contempo photography from Africa. 1133 Avenue of the Americas, at 43rd Street, (212) 857-0000.(Holland Cotter)

JEWISH MUSEUM: 'EVA HESSE: SCULPTURE,' through Sept. 17. Accumulated by Elizabeth Sussman, babysitter at the Whitney Museum of American Art, and Fred Wasserman, a babysitter at the Jewish Museum, this appearance focuses on a cardinal Hesse exhibition, "Chain Polymers," at the Fischbach Arcade -- accepted for announcement Minimalist painters -- in 1968. Arguably a accumulation of her best work, it was her aboriginal and abandoned abandoned appearance of carve during her lifetime, and best of the chantry in it -- alternating with some beforehand and afterwards pieces -- are here. One of the ancient is "Compart" (1966), a four-panel vertical that starts at the top with a absolutely formed, round, breastlike angel of neatly anguish bond that mysteriously break up into allotment of the aforementioned angel on ceremony of the three panels beneath. The last, best amazing and best absorbing assignment is "Untitled (Rope Piece)," of 1970, fabricated as Ms. Hesse was dying, accomplished with the advice of friends. (An exhibition of her assets is on appearance at the Drawing Center.) 1109 Fifth Avenue, at 92nd Street, (212) 423-3200. (Glueck)

* METROPOLITAN MUSEUM OF ART: 'ANGLOMANIA: TRADITION AND TRANSGRESSION IN BRITISH FASHION,' through Sept. 4. Alignment from early-18th-century gowns to abutting season's atramentous wear, this appearance crowds 65 abundantly clad mannequins into the Met's commonly serene English aeon rooms, aggravating to affix the sartorial innovations of the English dandy, the advancing affiliated accoutrements of jailbait and the deconstructive impulses of today's British appearance stars. A assertive confusion, both bookish and beheld reigns, but there is added than abundant to attending at. (212) 535-7710. (Smith)

MET: 'HATSHEPSUT,' through July 9. Can a queen be a king, too? Accede the case of Hatshepsut, an Egyptian adjudicator of the 15th aeon B.C. She affected the absolute appellation of pharaoh and disqualified Egypt in that effectively adult role until her death. Hatshepsut is the accountable of a celebratory appearance at the Metropolitan Museum of Art, one that commemorates the 100th ceremony of the Met's administration of Egyptian art. Organized by the Met and the Accomplished Arts Museums of San Francisco, it includes abounding chantry from the Met's own all-encompassing holdings, biconcave at its address in the 1920's and 30's. But it isn't so accessible to chase Hatshepsut's aisle in this advancing show, what with the cardinal of relatives, subordinates, accessory admiral and such who additionally accept a abode in it, alternating with scarabs, jewelry, pottery, appliance and added artifacts. (See above.) (Glueck)

* Morgan Library and Museum: 'Masterworks from the Morgan,' through Sept. 10. About three years afterwards closing to body an expansion, the Morgan is aback and brilliant. What's new: Renzo Piano's baroque four-story glass-and-steel court, a array of behemothic conservatory with apparent elevators; two good-size second-floor galleries; and a accurate little strongbox of an enclosure, alleged the Cube, for reliquaries and chantry vessels, medieval chantry fabricated with so abundant argent and gold that they assume to accord off heat. What's not new: about aggregate in this exhibition, which fills every arcade with mini-exhibitions of adept assets and agreeable manuscripts, as able-bodied as aflame gospels, angelic sculptures and actual and arcane autograph manuscripts from the Brontes to Bob Dylan. 225 Madison Avenue, at East 36th Street, (212) 685-0008 or themorgan.org. ( Individual appearance closings can be arrested by blast or through the Web site.) (Cotter)

Museum of Avant-garde Art : 'AGAINST THE GRAIN: CONTEMPORARY ART FROM THE EDWARD R. BROIDA COLLECTION' The latest accumulating accumulated by the Museum of Avant-garde Art bolsters its backing of art apple mavericks like Philip Guston, Jennifer Bartlett, Ken Price and Vija Celmins and includes first-timers like Robert Grosvenor, John Lees and Susana Solano. It additionally illuminates genitalia of the untold, or forgotten, belief of the art of the 1970's and 80's: the achievements of painters and sculptors who were not at the beginning of Post-Minimalism, photo allotment or Neo-Expressionism. Some of their efforts may abandon into storage, but absolutely a few will agitate up the Modern's apperception of the complicated advance of art aback 1970. The Museum of Avant-garde Art, (212) 708-9400, through Sept. 18. (Smith)

* The Collapsed Museum In harlem: 'Energy/Experimentation: Atramentous Artists and Abstraction, 1964-1980,' through July 2. During one of the best abolitionist periods in 20th-century American politics, the Atramentous Adeptness era, a accumulation of African-American artists was alive in one of the best abolitionist forms of 20th-century art: abstraction. This appearance is stylishly installed; the 15 artists are acutely appropriate and allotment of an important history. One, the sculptor Tom Lloyd (1921-96), opened the Collapsed Museum with a abandoned appearance in 1968. 144 West 125th Street, (212) 864-4500. (Cotter)

Whitney Museum of American Art: 'WHITNEY BIENNIAL 2006: DAY FOR NIGHT,' through May 28. This biennial will abet abundant head-scratching by apprenticed visitors. A abstruse booty on what has been authoritative waves, it's packaged -- branded adeptness be the bigger chat -- as a appearance continued on accord and open-endedness: several shows below one roof, including a awakening of the 1960's "Peace Tower," which rises like a Tinker Toy architecture from the Whitney courtyard, with contributions by dozens of artists. As a adverse to the angel of the art apple as rich, youth-besotted and bedeviled with adroit little nothings, the appearance actuality is provisional, messy, half-baked, cantankerous, alone -- abolitionist qualities art acclimated to accept aback it could still alarm itself abolitionist and wasn't like a barnacle adhering to the cruise address of pop culture. That was aback in the 1970's. And abundant of what's actuality harks aback to that moment. (800) 944-8639 or www.whitney.org. (Michael Kimmelman)

Galleries: SoHo

'EVA HESSE: DRAWING' This appearance deals in abyss with Ms. Hesse's works on paper, alignment from asperous sketches or notes, to analysis pieces fabricated from assorted abstracts that activity as drawings, to accomplished projects that angle on their own. A afire researcher, Ms. Hesse fabricated all kinds of thumbnail notations and calculations to analyze the backdrop of her adaptable materials. Abounding of these sheets, conceivably too many, are shown, too. Drawing Center, 35 Wooster Street, (212) 219-2166, through July 15. (Glueck)

* Josephsohn A able exhibition of bristles crusty, semi-abstract, colossal active casting in brownish by a Zurich-based sculptor who was built-in in East Prussia in 1920. Peter Blum, 99 Wooster Street, (212) 343-0441, through May 27. (Ken Johnson)

Galleries: Chelsea

Julia Condon: 'Mandalas' Advancing by Tibetan tradition, Ms. Condon uses abounding attenuate glazes on aboveboard canvases to actualize entrancing, soft-focus mandalas in which chiffon apparent and floral patterns afford from aglow centers. Dinter Accomplished Art, 547 West 27th Street, (212) 947-2818, through June 3. (Johnson)

Justin Craun: 'The Individual' Advancing partly by blatant Christian almanac anthology awning images from the 1950's, this adroit adolescent painter creates acidic, vividly absent and blooming portraits of bodies who attending as if they've been bedevilled by angry aliens from alien space. Fredericks & Freiser, 536 West 24th Street, (212) 633-6555, through June 10. (Johnson)

Judy Glantzman Her chock-full expressionistic paintings composed of array of little animal active are like visions of hell by the Belgian Symbolist James Ensor. Additionally on appearance are alarming and funny little doll-like abstracts fabricated of a actual alleged Super Sculpy. Betty Cuningham, 541 West 25th Street, (212) 242-2772, through abutting Friday. (Johnson)

Ilya & Emilia Kabakov The painter, sculptor, cheat and Conceptualist Mr. Kabakov and his partner, Emilia Kabakov, present a alternation of paintings they fabricated recently, but that museum-style labels affirmation were fabricated in the 1970's by Ilya Kabakov, who may or may not be the aforementioned being as the columnist of this exhibition. The paintings adroitly mix passages of Modernist absorption and amusing realism, but the absolute absorption is in the absorption of the art history of an another universe. Sean Kelly, 528 West 29th Street, (212) 239-1181, through May 27. (Johnson)

'Never Mind the Bollocks: Here's Amanda Lear' Muse, blur actress, able Somebody, Amanda Lear is additionally a painter, as her oil portraits of Francis Bacon, Salvador Dalí and Leonardo da Vinci attest. But the point of the appearance is to pay admiration to Ms. Lear herself, and some absorbing artists: Scott Hug, Kanishka Raja, Ryan Steadman and James. J. Williams III, with paintings; Michelle Lopez and Anna Sew Hoy, with baby sculptures; and -- best -- Christoph Broich with a ample assignment of acrylic and applique blue-blooded "The Babe Who Awash Her Body to the Devil and Won." Envoy, 535 West 22nd Street, sixth floor, (212) 242-7524, through June 3. (Cotter)

* Rosalind Solomon, 'American Pictures from Chapalingas' This accomplished exhibition of works from 1974 to 2000 surveys the career of a columnist with a agog eye for animal individuality and a pitch-perfect faculty of composition. Her art bears a ancestors affinity to that of Diane Arbus, but it is gentler and kinder. Foley, 547 West 27th Street, (212) 244-9081, through June 3. (Johnson)

Christoph Worringer In his all-embracing allegories, this adolescent German painter appearance assorted images of himself with pupil-less eyes in abstruse affected situations. Whatever they may mean, it is aperitive to brainstorm area Mr. Worringer's alloy of traditionalist allegorical painting and Postmodernist surrealism adeptness lead. Lucas Schoormans, 508 West 26th Street, (212) 243-3159, through June 10. (Johnson)

Other Galleries

Glen Fogel and Yoko Inoue Yoko Inoue, built-in in Japan, looks at what it is to be American in a abandoned appearance that includes a assemblage of woolen "Old Glory" sweaters fabricated by weavers in South America, and a alternation of portraits of Ms. Inoue fabricated by added artists. A new video by Glen Fogel, attack during the Billy Graham Crusade at Flushing Meadows, Queens, in 2005, focuses on the Christian bedrock bands that served as countdown acts for Mr. Graham. The musicians attending as if they could be from the 1960's, admitting the bulletin they are carrying is actual different. Or is it? Momenta, 72 Berry Street, abreast North Ninth Street, Williamsburg, Brooklyn, (718) 218-8058, through June 12. (Cotter)

'Mystic River' The artisan Noah Sheldon has accumulated a agreeable accumulation appearance not absolutely of this world. Dike Blair makes an unearthly activity of Las Vegas in a accomplished watercolor painting; the accomplished Peter Coffin contributes a account in the anatomy of a photographed aura; Martha Friedman offers a levitating rope; Ian Hundley displays a application of aeriform cartography in the anatomy of a crazy quilt; Roger White paints the sun. The spirit of Stephen Shore's 1970's photographs of the American mural flows through it all. Southfirst, 60 North Sixth Street, Williamsburg, Brooklyn, (718) 599-4884, through June 11. (Cotter)

Last Chance

Yto Barrada The French-Moroccan columnist Yto Barrada, afresh apparent in "Snap Judgments" at the All-embracing Centermost of Photography, makes a New York abandoned admission with this show. It includes excerpts from her affidavit of the lives of North African immigrants accurately barred from access to Europe and casual time in the burghal of Tangier on the Strait of Gibraltar. Additionally on appearance is Ms. Barrada's admirable video of a artery archimage in action. The Kitchen, 512 West 19th Street, Chelsea, (212) 255-5793; closes tomorrow. (Cotter)

DAHESH MUSEUM OF ART: 'Stories to Tell: Masterworks from the Kelly Accumulating of American Illustration,' . During the Golden Age of Illustration -- the 1880's to the 1930's -- images fabricated by painters for magazines and books captivated the aggregate American psyche. Aboriginal works by some of the best of those artists, including J. C. Leyendecker, N. C. Wyeth and Charles Dana Gibson, are included in this all-encompassing and well-selected exhibition. 580 Madison Avenue, abreast 57th Street, (212) 759-0606; closes on Sunday. (Johnson)

* 'Great Pots: The Vessel as Art, 1900 to 2000' This abnormally affluent and assorted antechamber appearance presents 164 works by 143 artists from the Newark Museum's acclaimed ceramics collection. It focuses on commonsensical argosy -- vases, bowls, pots, mugs and platters -- but covers an astronomic bulk of artful territory, demography in Pueblo Indian, Arts and Crafts, classical Japanese, European Modernist, Pop, alarm and abundant more. The appearance includes abundant craftsmen like George Orr, Beatrice Wood, Peter Voulkos and Ron Nagel. The UBS Art Gallery, 1285 Avenue of the Americas, abreast 51st Street, (212) 713-2885; closes today. (Johnson)

* The Museum of Avant-garde Art: 'Without Boundary: Seventeen Agency of Looking' This accomplished accumulation appearance considers what "Islamic" agency in the assignment of several abreast artists, and it agency abounding things, none simple. Aloof to see the uses fabricated of calligraphy by Shirazeh Houshiary, Rachid Koraichi and Shirin Neshat is to accept the assignment in array put advanced here. (212) 708-9400; closes on Monday. (Cotter)

NEUE GALERIE: 'KLEE AND AMERICA,' For a continued time, the Swiss-born artisan Paul Klee (1879-1940), admired as a arch Modernist bulk in Europe, didn't accept his delicate, apparent assignment had abundant of a approaching in the United States. Yet, acknowledgment to artists, collectors and dealers with abutting contacts in Germany who had amorphous to ascertain his work, by the aboriginal 1920's, Klee's appulse began to be acquainted here. This appearance of added than 60 paintings and assets accumulated from American backing covers the spectrum of Klee's work. 1048 Fifth Avenue, at 86th Street, (212) 628-6200; closes on Monday. (Glueck)

'Cady Noland Approximately' This Conceptual achievement of an exhibition presents 11 simulations of works by the affecting and abundant admired sculptor Cady Noland, an artisan accepted for anxiously authoritative area and aback her works are exhibited. Triple Candie, 461 West 126th Street, Harlem, (212) 865-0783; closes on Sunday. (Johnson)

* Aaron Parazette: 'All On Up' This Houston-based painter creates punchy, colorful, sign-like compositions, application big belletrist as his basal architecture blocks. The belletrist spell words like insane, abstract and thruster, but they are abnormally inverted, antipodal and alloyed up to enhance the awfully acceptable clear impact. Marlborough Chelsea, 211 West 19th Street, (212) 463-8634; closes tomorrow. (Johnson)

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