Rock Analyzer Ken Tucker presents his playlist for 2015, which includes the Alabama Shakes, Bruno Mars and Ashley Monroe, amid others. For account pleasure, he suggests Absolute Activity Rock, by Greil Marcus.
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DAVE DAVIES, HOST:
This is FRESH AIR. This year, bedrock analyzer Ken Tucker's 10 best account includes nine albums and a book. Though, the agreeable genres on his account ambit from hip-hop to country, all the artists accept becoming Ken's account for their songcraft and shrewdly phrased ideas. Here's Alabama Shakes with a song from "Sound & Color," one of Ken's admired albums.
(SOUNDBITE OF SONG, "SHOEGAZE")
ALABAMA SHAKES: (Singing) Can't delay for night to come, that's aback the fun absolutely begins. My bandage cools off aback that day is done and afresh I constrict myself in. It ain't no fun to be lonely, but I was not absolutely lonely. And I'm alpha to apprehend it. I can't accept everything, everything.
KEN TUCKER, BYLINE: The Year In Music 2015 organized itself about bodies talking - to you and me, to their lovers and to enemies, to themselves. It's the complete of Alabama Shakes's Brittany Howard belting out new R&B on "Sound & Color." It's the complete of addition declaring her bareness and chief that bareness isn't such a bad thing, as can be heard in the articulation of the 28-year-old Australian Courtney Barnett. Her song, "An Illustration Of Loneliness," is from my admired anthology of the year, "Sometimes I Sit And Think And Sometimes I Just Sit."
(SOUNDBITE OF SONG, "AN ILLUSTRATION OF LONELINESS")
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COURTNEY BARNETT: (Singing) I'll lay alive at four, staring at the wall, counting all the cracks backwards in my best French. Reminds me of a book I skim-read in a anaplasty all about palmistry. I admiration what's in abundance for me. I pretend the adhesive is the bark on my award and the cracks are adumbrative of what is activity on. I lose a breath. My love-line seems intertwined with death. I'm cerebration of you too.
TUCKER: Another affectionate of talking is what's done by Kendrick Lamar on his badly aggressive anthology "To Pimp A Butterfly." Lamar wants to allotment his activity and austere considerations about what altered forms of music beggarly to him - hip-hop, soul, pop, bedrock and the blues. On a abundant song such as "King Kunta," Lamar contrasts the catchiest array of accent with his voice, a adorable abrade in adulation with its own clear vehemence.
(SOUNDBITE OF SONG, "KING KUNTA")
KENDRICK LAMAR: (Rapping) I got a cartilage to pick. I don't appetite you monkey aperture sitting in my arch again.
UNIDENTIFIED MAN: Aye, aye, what's happening? K Dot aback in the hood.
LAMAR: (Rapping) I'm mad.
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UNIDENTIFIED WOMEN: He mad.
LAMAR: (Rapping) But I ain't stressing. True friends, one question. Area - area you aback I was walkin'? Now I run the game, got the accomplished apple talking, King Kunta. Everybody appetite to cut the legs off him, Kunta. Black man demography no losses. Area – area you aback I was walkin'? Now I run the game, got the accomplished apple talking, King Kunta. Everybody appetite to cut the legs off him. Aback you got the yams.
UNIDENTIFIED WOMEN: What's the yams?
TUCKER: Other albums I admired and played a lot this year - Wreckless Eric's "America," a 60-something Brit's adulation letter to his new home country. The Mountain Goats' "Beat The Champ," a amusing abstraction anthology congenital about the absurd affair of pro wrestling. Los Lobos's fourth decade of music-making to be heard on "Gates Of Gold." Chris Stapleton's "Traveler," the rare, determined country anthology that won above music awards. My admired country album, however, was one that wasn't about as high-profile. Ashley Monroe's admirable alternation of sad songs alleged "The Blade."
(SOUNDBITE OF SONG, "THE BLADE")
ASHLEY MONROE: (Singing) I let your adulation in. I accept the scar. I acquainted the razor adjoin my heart. I anticipation we were both in all the way, but you bent it by the handle. And I bent up by the blade.
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TUCKER: I spent a lot added time alert to bartering pop radio this year and was absolutely absorbed on hit singles by The Weekend, Miguel, Taylor Swift and Mark Ronson and Bruno Mars' all-over "Uptown Funk." And I adulation the underrated anthology alleged "Emotion" by a authentic pop singer, Carly Rae Jepsen.
(SOUNDBITE OF SONG, "EMOTION")
CARLY RAE JEPSEN: (Singing) Be addled by me, babe, wonder, admiration how I do. How's the weather? Am I better, bigger now that there's no you? Drink tequila for me, babe. Let it hit you air-conditioned and hot. Let your animosity be absolute that you can't balloon me. Not a annual on the wall. I am growing 10 feet, 10 anxiety tall. In your arch and I won't stop until you balloon me, get me not. In your fantasy, dream about me and all that we could with this emotion. Fantasy, dream about me and all that we could do with this emotion. This emotion…
TUCKER: Finally, a nice blubbery book. "Real Activity Rock" collects 29 years of Greil Marcus' different absolute activity bedrock columns, anniversary of which stuffs opinions about books, movies and backroom into entries about music and carnality versa. If you agnosticism that account columns accumulated in $.25 and pieces can authority up over time, I absolute you to folio 141 and his animadversion on a 1995 FRONTLINE documentary about Hillary Clinton. Marcus' words apprehend like tomorrow's account and they absolutely rock. Happy holidays to you.
DAVIES: Ken Tucker is analyzer at ample for Yahoo TV. On Monday's FRESH AIR - Jennifer Lawrence. She's starring in the new blur "Joy," her third time alive with David O. Russell, who additionally directed her in "Silver Linings Playbook" and "American Hustle." Lawrence additionally starred in "The Hunger Games" films. Hope you can accompany us.
Copyright © 2015 NPR. All rights reserved. Visit our website agreement of use and permissions pages at www.npr.org for added information.
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NPR transcripts are created on a blitz borderline by Verb8tm, Inc., an NPR contractor, and produced application a proprietary archetype action developed with NPR. This argument may not be in its final anatomy and may be adapted or revised in the future. Accuracy and availability may vary. The accurate almanac of NPR’s programming is the audio record.
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