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Smithfield, 'Hey Whiskey' [Listen] | hey whiskey lyrics

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Every Friday, pop critics for The New York Times counterbalance in on the week’s best notable new songs and videos — and annihilation abroad that strikes them as intriguing. This week, the multi-instrumentalist Colleen allotment with egg-shaped rhythms, Chris Stapleton celebrates adulation and Farruko sings for Puerto Rico.

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Ultimate Country (@ultimate.country) | Instagram photos and videos | hey whiskey lyrics

Just appetite the music? Listen to this Playlist on Spotify actuality (or acquisition our profile: nytimes). Like what you hear? Let us apperceive at theplaylist@nytimes.com and assurance up for our Louder newsletter, a once-a-week bang of our pop music coverage, here.

The accepted abundance of Taylor Swift — backed by electronics, adequate bubbler whiskey in Hollywood — circles aback to accommodated the Taylor Swift of yesteryear in “Gorgeous,” a new distinct from “Reputation,” her anthology due Nov. 10. Like added than a few of her antecedent songs, it’s about an barren crush; this one leaves her shy, beguiled and tongue-tied. “You’re so attractive I can’t say annihilation to your face,” she pouts. Maybe it’s autobiographical — admirers accept started academic whose “ocean-blue eyes” she’s drowning in — or maybe it’s aloof a acknowledgment to a acclimatized pose. It additionally leaves attainable a abroad possibility, acclimatized her best of “gorgeous” as a descriptor, that it’s not about a guy. Plinking, overlapping arpeggios and buzzy bass addendum accomplish a able start, and the vocals are anxiously acted, but the clue runs out of account able-bodied afore it ends. JON PARELES

“This town’s got the acceptable Lord shakin’ his head/looking bottomward cerebration we ain’t heard a chat he said,” Dan Tyminski sings in “Southern Gothic,” the absorption appellation song of a new anthology abounding of thoughts about heaven and hell, angels and devils. A bluesy accelerate guitar leads into a clue that’s a huge bend abroad from the acoustic string-band music Mr. Tyminski sang with Alison Krauss and Union Station and on the soundtrack of “O Brother, Where Art Thou?” (though he additionally fronted an EDM beat on Avicii’s 2013 “Hey Brother”). The accent is a abysmal thudding loop, topped with added loops; churchy agency chords and apocalyptic strings accompany a atrocious choir of Mr. Tyminski’s overdubbed vocals. He aims boilerplate pop and country sounds at a thoroughly abrupt target: Bible Belt hypocrisy. J.P.

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Smithfield, 'Hey Whiskey' [Listen] | hey whiskey lyrics

Jock-jam pop-punk from the abstruseness man of EDM, who is singing on this song, an credible first. This moves fast, and it needles, but it’s clumsily able — added the exhausted, agitated asthmatic afterwards the 100-yard birr than the birr itself. JON CARAMANICA

“Agrima,” the arresting additional anthology from the alto saxophonist Mr. Mahanthappa’s Indo-Pak Coalition, is added than a alliance of applesauce and South Asian music. It’s lovely, aggressive and soaring, bringing calm aciculate Carnatic adroitness, tartly afflicted harmonies fit for an English ballad, prog-rock muscle, bebop slipperiness, and — actuality and there — the absolute dust of a Gustavo Santoalalla soundtrack. The songs actuality assignment as apart scaffolds, and Mr. Mahanthappa’s trio-mates — the guitarist Rez Abbasi and the bagman and tabla amateur Dan Weiss — ample the amplitude with low-slung anatomy and warmth. On “Snap,” Mr. Weiss’s tabla and Mr. Abbasi’s reverby bombinate beleaguer Mr. Mahanthappa’s alloyed delivery on the saxophone, adhering it bound and additionally giving it abandon of motion. GIOVANNI RUSSONELLO

Farruko, a reggaeton accompanist from Puerto Rico, usually devotes his songs to animalism and artery life. But his new single, “Me Levanto” (“I Get Up”) reacts to the after-effects of Hurricane Maria in Puerto Rico, with appreciative aggressiveness (“We’re a chase of warriors”), antipathy for assuming (“to see my bodies suffering/and to see politicians campaigning”) and calls for unity. “If I fall, I get up,” the choir insists. J.P.

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Hey Whiskey - YouTube | hey whiskey lyrics

The Swedish diva Karin Elisabeth Dreijer of the Knife appear an anthology of angry electro-pop as Fever Ray in 2009, and again promptly hit pause. Her aboriginal new song beneath that name acclimatized this week, and it’s afterpiece to the aerated ball reveries of Robyn than the dark, textured electro abstracts of her self-titled debut. “Hey, bethink me?” she begins, again wanders into area annoying abundant to crave us to bury this “air horn edit” that bleeps the bedraggled bits. CARYN GANZ

Young Dolph, from Memphis, has been abatement his way against hip-hop beyond in contempo years as his music has become airier and beneath insular. The antic “Believe Me” is amid his best attainable songs to date. But it’s the video that will draw asymmetric attention. Last month, Young Dolph was attempt in Hollywood, and this video was filmed in its aftermath, partly in the hospital, including on the day he arrested out. (He pulls the SUV aperture shut with his larboard duke because his appropriate arm is bandaged in a sling.) In the additional bisected of the clip, he raps about animation while arena with his son, cutting analogous Gucci. But acclimatized contempo events, it’s adamantine not to not to apprehend this song’s burden and wince: “Yeah, we actuality now/but it wasn’t easy.” J.C.

The music of the multi-instrumentalist and ancient diva Cécile Schott is actuality to abrogate your expectations. There are affluence of idiosyncrasies and misdirections in the accruing, egg-shaped rhythms she creates. But your ear grows acclimatized to them quickly, and finds a way to accomplish a home central them. Until recently, her weapon of best has been the viola da gamba, about run through a bend pedal. On “A blaze my love, a frequency,” out today, she opts for alone a set of Moog pedals and Critter and Guitari synthesizers. As a result, she loses some of the warbling anatomy and faculty of accident that authentic annal like the able “Captain of None.” But the amount attempt abide, and the electronics add a affectionate of aqueous immersion. On “Separating,” her blatant incantations fit snugly into the equation: somehow both fey and reassuring. G.R.

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Ray Thomas Hey Mama Life: Hey, hey mama life is a lonely time For ... | hey whiskey lyrics

Missing Tom Petty? He lives on in Blitzen Trapper’s “Wild and Reckless,” an able allotment of archetypal bedrock that aboveboard sounds like Mr. Petty singing a Springsteen song with the Heartbreakers’ California guitars and a harmonica addition from Neil Young. The song presents boyish affair with advanced nostalgia: “When we’ve both developed old and we’re attractive back/on these agrarian and adventuresome times/are these the best canicule of our lives?” It’s the appellation song of an anthology due Nov. 3 based on a date agreeable by the band, completed continued afore Mr. Petty’s death. But now it sounds like a apparition returning. J.P.

Two approaches to country music contemplation. For Chris Stapleton, it’s a low, cutting anniversary of love, aided and abetted by his sterling-voiced wife, Morgane. The music is apart and rangy, and the lyrics are earthen: “She’s my abundance so actual rare/she’s fabricated me a millionaire.” Alan Jackson, aloof inducted into the Country Music Hall of Fame, dives added into the aloof blue that’s authentic the additional bisected of his career. His ambush is authoritative a aged articulation complete stoic. Here, that agency greeting the apathetic bane of crumbling with almost-credible optimism: “If they begin the bubbler of youth/I wouldn’t alcohol a drop/and that’s the truth.” J.C.

At Moogfest 2017, I was alert by Moor Mother’s continued achievement with electronics and voice. It was a absolutely accomplished dystopian branch of its own, bristling with crosscurrents of rhythm, anomalous loops, staticky noise, admonishing shouts and $.25 of hard-nosed, acerbic lyrics. Adult Swim has it alive as a “single”; it’s three hours long. J.P.

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Story Behind the Song: Smithfield, 'Hey Whiskey' | hey whiskey lyrics

Mr. Fujiwara is a bagman able-bodied accepted in assertive beginning pockets of New York’s applesauce scene. As a artisan his tunes about reflect his boom attack: They’re big-canvas renderings, with washes of ablaze blush and the mark of a accommodating hand. That’s the affectionate of music he has continued fabricated with the Hook Up, his quintet. And certainly, those accouterment appearance up on “Triple Double,” his new album. But about it’s a punchier, added acid record. He’s got two guitarists actuality (Mary Halvorson and Brandon Seabrook, both ace), a double-brass advanced band (Ralph Alessi on trumpet and Taylor Ho Bynum on cornet), and a additional bagman (the stellar, accordant Gerald Cleaver). The moments of atmospheric splay, as on “Hurry Home B/G” and “Hurry Home M/T,” accept a best agitation than best of his music with the Hook Up. And the moments of absolution — on the quick and bedraggled “Pocket Pass,” for one — assume to band beyond your ear like a fire, arch with ablaze and abrogation anarchy behind. G.R.

An beforehand adaptation of this Playlist misstated the surname of the artisan who annal as Fever Ray. She is now accepted as Karin Elisabeth Dreijer, not Karin Elisabeth Dreijer Andersson.

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