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The bandage is now both a capital rat bequest act and a abreast pop-rock chart-topping juggernaut, and their set did a sometimes solid, sometimes awkward job of reconciling their career’s two audible phases, disconnected by their 2009-2013 hiatus. The awkwardness, aback it appeared, had beneath to do with the music than with the amphitheater bedrock accouterments.

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All three of the night’s acts—Fall Out Boy, Jaden Smith, and Blackbear—made use of projector screens. Smith danced in advanced of footage of himself dancing and sometimes rapping in a white Batman suit. Blackbear (he spells his name in all lowercase, but we don’t acquiesce that array of affair about here) acclimated a awning to affectation his weird, steampunk-looking logo, which consists of a snake crimper about a “b” in a way that vaguely resembles a acute clef. (Why a snake and not a bear?) Fall Out Boy played best of their set in advanced of a huge screen, which displayed video montages that were sometimes accompanying to the songs, sometimes not.

This big awning was distracting, to say the least. They aloof kept putting awe-inspiring $.25 up there. Afore the bandage elevatored up from aural the attic to bang off their set, the awning displayed some rippling, screensaver-esque water. During “Uma Thurman,” it showed a lot of Uma Thurman $.25 from Pulp Fiction and Kill Bill. During “American Beauty/American Psycho,” it briefly flashed the byword “Make America Psycho Again,” which, because who’s in the White House and the absolute capacity of American Psycho (the book), fabricated me admiration what actually would be different.

During “The Last of the Real Ones,” the awning inexplicably showed video of a academy of CGI angle pond through a river belted to either ancillary by shelves of ice; meanwhile, in advanced of this collected visual, bonfire were acid out of the date floor. During “Centuries,” in a abrupt affectation of near-coherence, the awning showed footage of Colin Kaepernick admiration and Muhammad Ali; again there was a accident cut to a abundance spewing lava. During “Immortals,” FOB’s song from the Big Hero 6 soundtrack, it showed a montage from Big Hero 6.

But the weirdest (maybe best?) affair they did with the awning was to accompany “This Ain’t a Scene, It’s an Accoutrements Race” with some Trinity armpit diminutive bomb analysis footage adopted beeline from adventure eight of Twin Peaks: The Return. Afterwards all, the song’s lyrics do assume vaguely relatable to both 1) absolute accoutrements races, and 2), our present civic predicament, in which devious words from our baton could realistically accept adverse consequences.

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Later, during “I Don’t Care,” the awning showed a montage of people, characters and animals adopting the average finger.

But let’s about-face abroad from the awning here, and get aback to the absolute music, which I would say was the best allotment of the show. That’s apparently a acceptable thing!

Like I said before, Fall Out Boy’s career has two audible phases. From 2003-2008, they were an anthemic pop-punk bandage that chewed added and added artful backdrop with anniversary album. But with their cheekily blue-blooded 2013 comeback, Save Bedrock and Roll, and its follow-up, 2015’s American Beauty/American Psycho, they went abounding amphitheater rock/pop. They may accept been the better act of emo’s “hair metal” appearance in the mid-aughts, but they didn’t actually body a song about a Mötley Crüe sample till years afterwards that era ended.

Despite the change of their sound, it’s been the above four bodies in the bandage for the absolute time anybody’s cared about them. Unfortunately, that same-four-dudes-ness tends to get absent in the analogously gross, barbaric assembly on their best contempo hits. So one of the pleasures of Sunday’s appearance was actuality able to apprehend those songs in hardly less-processed form; they acclimatized in as calm amphitheater bedrock songs that adhere accept with the added revved-up old hits anybody abroad was alert to while I was abysmal in my average academy “Led Zeppelin is the alone band” appearance of ‘06/’07.

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I like my pop-punk fast, so I would accord the bend to the band’s aboriginal actual over the robo-rocking, Munsters theme-sampling abundance of today. 2005’s “Dance, Dance” was the aiguille of the show, with its affecting lyrics, alarming riff, and archetypal d-beat assuming what the associates absorb from their time acid their teeth in Chicago hardcore bands, alike admitting they’ve now spent a decade arena the kinds of venues area you can buy accompaniment fair concessions (in my case, the above mini donuts). There is a akin of activity and compositional body to it that’s missing now. The above goes for the way Patrick Stump jams all Pete Wentz’s words into complexly addictive articulate melodies on “Sugar, We’re Goin’ Down” and “Grand Theft Autumn.”

Fall Out Boy brought a lot of amphitheater bedrock adornment with them: a balustrade for the associates to run bottomward and again back, two big amphibian risers abreast from the capital stage, a boom solo, a agglomeration of flamethrowers, fireworks, confetti, and mascots battlefront t shirt cannons. At one point a allotment of pyrotechnic accessories malfunctioned and spewed blaze from the beam for two thirds of a accomplished song. They bankrupt their set with “Saturday,” off their admission album, 2003’s Take This to Your Grave, and for that one, alike the big awning abaft them went blank. (And again t-shirts parachuted from the rafters into the crowd.)

A agenda on Jaden Smith: He did about 30 abnormal of Lil Yachty’s “Minnesota” afore closing out his set. I accept low-simmering claimed beef with Yachty, but I actually achievement that becomes a affair that rappers do aback they appointment here.

The crowd: Wide ambit in age. Lotta bodies in Blackbear T-shirts. Some kids who apparently alone fell in with Fall Out Boy because of Big Hero 6. The parents who brought those kids. One guy I went to academy with.

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Random anthology dump: Patrick Stump is a abundant singer. I’d put him at the above akin as Paul Weller and Ted Leo, two added guys who do the jailbait rock/blue-eyed body affair with accidental virtuosity.

SetlistThe PhoenixIrresistibleHum HallelujahSugar, We’re Goin’ DownAlone TogetherImmortalsAmerican Beauty/American PsychoCenturiesSave Bedrock And RollThe Last of the Real OnesYoung and Menace[Drum solo]Dance, DanceExpensive MistakesThnks fr th mmrsI Don’t CareThis Ain’t A Scene, It’s An Accoutrements RaceGrand Theft Autumn/Where Is Your BoyChampion

EncoreUma ThurmanMy Songs Know What You Did In the Dark (Light Em Up)Saturday

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