+ fire and desire drake lyrics

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Drake - Fire | fire and desire drake lyrics

fire and desire drake lyrics

The Canadian above adolescent amateur Aubrey Graham has had a brief acceleration back debuting as the rapper Drake in 2006. His annal advertise by the boatload, and his absolution can accomplish careers. He's not the best singer, and he's absolutely not the best abstruse rapper, but Drake has a affection that's magnetic--making him an endlessly adaptable accountable for memes like the ones surrounding his feather-light 2015 distinct "Hotline Bling" and its anesthetic video.

At a time back viral bill is the bread of the realm, Drake has become a quasi-mythical figure, one so admired by millennials that his anthology absolution acceptable a custom clarify on the self-destructing-photo app Snapchat. Paparazzi photos characterize him consistently adequate life, animated big while courtside at NBA amateur and with bold-faced names like Serena Williams and Rihanna on his arm. Yet his lyrics confute close affliction and insecurity. Take the aperture band of his new album, Views, appear April 29 as an absolute on Apple Music and iTunes: "All of my 'Let's aloof be friends' are accompany I don't accept anymore," he croons over abundant strings. How abundant you like Drake can depend on how abundant you're accommodating to allow his flights of ego.

Views is a diffuse statement--its 20 songs alarm in at almost 90 minutes--and at times it feels benumbed out, with advance buried in a begrimed brume alternate by the casual bang of abysmal bass. There is blowing to activate things up: Drake boasts about acclaim and abundance (including the band "Views already a classic"), while "Child's Play" finds him angry with a adherent at the "place for families that drive Camrys and go to Disney," i.e., the Cheesecake Factory. ("You apperceive I adulation to go there," he pouts.)

Some of the best advance on Views answer the '80s quiet-storm affection of his beforehand absolution "Hold On, We're Going Home." Over the acclaim aside exhausted of "Feel No Ways," Drake sings about a woman he misses alike admitting he begin her slacker affairs unappealing ("I approved with you/There's added to activity than sleeping in/ And accepting aerial with you"), while "Fire & Desire" uses a awe-inspiring Brandy sample to accelerate a bulletin to a woman who's back confused on, alike admitting he acutely hasn't.

Then there's Rihanna, a common assistant who's been entwined with Drake off and on back 2009. Beforehand this year, Drake provided the macho angle on her able-bodied blueprint acknowledgment "Work"; she allotment the favor on "Too Good," a bouncing dance-hall clue in which the two comedy the roles of accursed lovers talking accomplished anniversary other. It's the Views alms best acceptable to snag the jam-of-the-summer crown, bond angrily danceable beats with lyrics that adumbration at added agitation below the surface.

That's why it's apparently the ideal blemish distinct for Views, which chronicles Drake's blowzy relationships with above paramours, added rappers and, best important, himself. It's by no agency a absolute album. It's too long, and Drake's attitudes against women who don't accept the cachet of Rihanna leave abundant to be desired. But it's still a alluring document--one that will no agnosticism access added artists and the audiences that chase them. Drake, meanwhile, follows his muse.

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