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When account of Tom Petty's cardiac arrest reverberated about Twitter on Monday afternoon, a acquaintance tweeted "I'm afraid how adamantine the Tom Petty account is hitting me." I acquainted absolutely the aforementioned way, conceivably because his abrupt affliction — and, afterwards in the evening, the advertisement of his afterlife — was so abominable and unexpected. In fact, the 66-year-old had captivated up a 40th ceremony bout with his bandage the Heartbreakers alone a ceremony before, with three sold-out concerts at the Hollywood Bowl. I saw the bout myself aback in June and larboard the activated appearance activity beholden that the accumulation was still so accursed up to comedy together.

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But aggregate about Petty was reliable. His speaking voice, an imitable, nasally Southern acidity with a aside adumbration of above California bank denizen. His jammy and adorning alive shows with the Heartbreakers, which were a near-yearly tradition. An calm date address apprenticed by easygoing allure and self-confidence. Alike the administration of his straw-colored beard almost wavered over the years, save for some occasional, era-appropriate updates.

Yet in Petty's case, actuality abiding didn't agree to stagnancy. For him, bendability came in the anatomy of accurate songcraft. "After you've accounting 300, 400 [songs], you've got to absolutely apply so you can get article that feels beginning and is account the money to addition who has a accomplished agglomeration of Tom Petty records," he told the Los Angeles Times' Randall Roberts in 2014. "'Why would I buy addition one?' Well, because it's account it, you know?"

That absorption to detail paid off: Despite its archetypal lineage, Petty's cast of bedrock 'n' cycle somehow consistently acquainted beginning — the agnate of a bare aboriginal folio of a new notebook. He was both archetypal bedrock and new wave, a apprentice of agreeable history with a avid appetence for what was advancing next. Southern rock, consciousness-expanding pop, babel rock, stoner-folk, bluesy soul, '50s bedrock 'n' cycle — the Heartbreakers blood-soaked up all these influences and acclimatized up a melodic, barnstorming ruckus.

Even "Southern Accents," a thoroughly '80s almanac with slicker assembly from Eurythmics' Dave Stewart, has constant Petty accuracy — including the psychedelic-tweaked, Stewart co-write "Don't Appear About Here No More" and the misty-eyed adventurous homesickness of "The Best of Everything," which appearance associates of the Band.

"Tom bridged the '60s bearing and those that came afterwards with air-conditioned and grace," the Waterboys' Mike Scott aggregate with Salon. "He was an important link, reminding us that music is music, whatever beachcomber it comes from. He bankrupt in the era of the Sex Pistols yet formed a bandage with Dylan and Roy Orbison. He alloyed the best of both eras in his own musi, and leaves us with a anamnesis of aberancy and greatness, a tall, albino brand of angelic cool."

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The benevolent accent of "The Best of Everything" hints at one actual important allotment of Petty's appeal. Female characters in his songs, both abandoned and with the Heartbreakers, acquire backbone and agency. The "she" in the barnstorming "A One Adventure Town" follows her ambitions — "She had a far abroad activity / Wasn't allotment of me" — while the titular "girl" in "Here Comes My Girl" has a articulate assessment about her approaching with her man: "And afresh she looks me in the eye and says, 'We're gonna aftermost forever.'" The woman mentioned in "Listen To Her Heart," meanwhile, isn't affected by a blatant affluent dude, because she's level-headed and self-assured: "She's activity to accept to her heart/ It's activity to acquaint her what to do."

These women are additionally admired — for example, Petty was "waiting" accurately for the adult in "Rockin' About (With You)" to arrive: "You came through/ You knew no one abroad will do." And aback his macho characters do spiral up, they're appropriately apologetic by their actions. Witness the aboriginal ballad of "Free Fallin'," area the advocate calls himself a "bad boy" for breaking the affection of a "good girl" who acutely didn't deserve the heartache, or the fed-up woman of "Rebels" who pays her bashed man's tickets but afresh leaves him "out in the thicket."

Of course, the quintessential Petty woman is begin in "American Girl." She's a dreamer who strives for abundant things because she's been "raised on promises" that are now advancing due. Speaking to The Los Angeles Times in 2002, Petty alleged "American Girl" "the alpha of autograph about bodies who are anxious for article abroad in life, article bigger than they have. . . . In my mind, the babe was attractive for the backbone to move on — and she begin it." Two decades before, Petty told City Limits' Cynthia Rose that he's "always acquainted affectionate towards" the song's character, and that she "is aloof one archetype of this appearance I address about a lot — the alone kid who knows there's added out there for them but gets fucked up aggravating to acquisition it."

But Petty's music added generally than not preaches animation in the face of insurmountable obstacles. This backbone was axiomatic in his song titles — "I Won't Aback Down," "You Got Lucky," "Don't Fade On Me" — and alike added arresting throughout song lyrics. "I'm acquirements to fly/But I ain't got wings," he sings on "Learning to Fly," a song about all-embracing the unknown, admitting with a businesslike blow ("But what goes up charge appear down"). The archetypal "Refugee" declares, "Everybody has to action to be free," arch into the fist-pumping chorus, while "Runnin' Bottomward a Dream" is optimistic about what's about the corner: "There's article acceptable waitin' bottomward this road/I'm pickin' up whatever's mine."

Petty's songs consistently accept your aback and nudge you forward, reminding you that about the bend — or with addition cast through the agenda — activity could change for the better. Alike aboriginal on, he took this glass-half-full outlook. "I've been through things area I anticipation it aloof couldn't get no bleaker," he told Rolling Stone's Mikal Gilmore, afterwards the absolution of "Damn The Torpedoes." "It was a bad stretch, but I had to accompany myself out of it. If you can't booty the attitude that alike losers get lucky, I don't see how you can face life. I amount you either lose your babe or your job — sometimes both. But why let anyone apperceive they've exhausted you?"

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Petty projected so abundant backbone because of his agreeable gang, the Heartbreakers, the greatest assay of bar bandage virtuosos anytime assembled. The amount of the accumulation — freewheeling guitar ability Mike Campbell, adamant pianist/keyboardist astrologer Benmont Tench, and barbarous bassist Ron Blair — has been arena calm for able-bodied over 40 years. (Drummer Steve Ferrone abutting the bandage in 1994, afterwards relations with aboriginal bagman Stan Lynch assuredly fractured.)

During Petty's 40th ceremony tour, he aggregate variations of the band's agent adventure with gusto, as if he was casual bottomward admired belief to the abutting generation. Their allure and automatic advice is a affair of impossible wonder. "About 20 years ago, we chock-full accomplishing soundchecks," Petty told Rolling Stone beforehand in the year. "It eats up the accomplished day and we'd argue, and afresh you'd appear aback and the complete would be absolutely altered with a crowd."

What's absorbing is that Petty — and the Heartbreakers, because their mythologies are accordingly intertwined — never chock-full evolving. That was no added axiomatic than how calmly Petty sailed into the '90s, in a way few archetypal rockers did. (Only Neil Young, Aerosmith and Petty's pal Dylan — and, to a bottom extent, Bruce Springsteen and Eric Clapton — acclimatized to the post-Nirvana bedrock apple so seamlessly.) The success of 1989's "Full Moon Fever" and its instant-classic singles "I Won't Aback Down," "Runnin' Bottomward a Dream" and "Free Fallin'" led beeline to the Heartbreakers' 1991 almanac "Into The Abundant Wide Open," home of the agreeable "Learning To Fly."

The band's fabulous 1993 "Greatest Hits" CD juggernaut spawned addition massive hit with the stoner canticle "Mary Jane's Aftermost Dance." Alike 1996's "Songs and Music from 'She's the One'" is advised an underrated fan-favorite. But Petty ailing already afresh with the 1994 abandoned anthology "Wildflowers," an attentive and complete masterpiece that crystallized his acceptability as a artist laureate of the animal action — whether via the hotrodding "You Wreck Me" and afire bank dejection rocker "Honey Bee," or with the aerial "Crawling Aback To You" and the agreeable "Wake Up Time."

Conventional acumen says artists aren't declared to accomplish masterpieces two-decades-plus years into a career. But Petty never let himself become a antique of any accurate era, brand or actual epoch. In yet addition act of defiance, he kept evolving. A Heartbreakers bout setlist generally afflicted from year to year, abrogation out alike hits and fan favorites. As a songwriter, Petty became added absorbed in dejection music, which led to the Heartbreakers' 2010 almanac "Mojo." In the aftermost decade, he reconvened the pre-Heartbreakers bandage Mudcrutch (which additionally appearance Campbell and Tench) for two arch albums and the band's first-ever tour.

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Petty the animal actuality additionally kept up with the times. In 2015, he bidding abysmal abjure about the bandage application the Confederate banderole during the "Southern Accents" tour. "The Confederate banderole became allotment of the business for the tour," he told Rolling Stone. "I ambition I had accustomed it added thought. It was a absolute brainless affair to do." And in backward 2016, aural a allotment previewing this year's ballsy tour, he batten to Rolling Stone about his alive claimed priorities.

"I'm cerebration it may be the aftermost cruise about the country," Petty said. "It's actual acceptable we'll accumulate playing, but will we booty on 50 shows in one tour? I don't anticipate so. I'd be lying if I didn't say I was cerebration this ability be the aftermost big one. We're all on the behind of our sixties. I accept a granddaughter now I'd like to see as abundant as I can. I don't appetite to absorb my activity on the road."

That alertness to be accessible added than annihilation fabricated Petty one of the best relatable bedrock gods. "It's like Uncle Tom died," a acquaintance responded to the account of his death, and the allegory acquainted apt. For assorted generations, Petty's music was the abating soundtrack for above activity events, both triumphs (first dances, aboriginal romances) and low credibility (heartbreaks, death, loss).

It's still difficult to butt that there will be no approaching Heartbreakers tours or Petty alive concerts; it was broadly hoped he would do a smaller-venue bout to admire "Wildflowers." Rebels with a adventurous bandage absent their agitator on Monday night, and the apple is a abundant beneath active place.

Annie Zaleski

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Annie Zaleski is a Cleveland-based announcer who writes consistently for The A.V. Club, and has additionally been appear by Rolling Stone, Vulture, RBMA, Thrillist and Spin.

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