Mad Hatter - Melanie Martinez ♡Lyrics♡ Studio Version - YouTube | mad hatter melanie martinez lyricsmad hatter melanie martinez lyrics
This anniversary Talib Kweli drops a abruptness chargeless album, acclimatized indie-rock cast Nada Surf releases an ballsy alive album, electro-pop accompanist Melanie Martinez releases a almanac you won’t anon forget, country-turned-pop accompanist Emily West releases a new almanac and metal cast Soulfly absolution their tenth album. It’s a absolute assorted anniversary with a lot of abundant music to explore.
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Melanie Martinez - Mad Hatter Lyrics - YouTube | mad hatter melanie martinez lyricsTalib Kweli alone a abruptness chargeless anthology on his website and it is a dense, adventuresome beginning alms alleged “F*** The Money.” From the title, you can assumption that this continues the cilia in Kweli’s career advancement ability over absolute gain. He’s consistently been of the “consciousness” school, extoling the virtues of actuality richer in spirit over accepting a ample coffer account. The actuality that this is a chargeless almanac for which no money is exchanged makes this bright as well.
Production-wise, this is a dizzying, forward-thinking, absolute electro-fueled affair. If you admired the animated beats of DJ Hi-Tek on the Black Star and Absorption Eternal records, this almanac will booty some accepting acclimated to with its pitch-shifting, addled vocals, but this is done for a reason. One can’t advice but anticipate that Kweli is aggravating to accomplish these advance complete like bona fide club-bangers to hit his added acquisitive aeon area they live. One additionally can’t advice but admiration if the choir from “The Venetian” of “Started from the bodega, now we’re at the Venetian” is a playfully acicular bash at Drake.
Guest-wise, there are some accepted cameos from the cast of Styles P and Ab-Soul, but afresh there is “Echoes,” which appearance the absurd duo of Miguel and Fall Out Boy’s Patrick Stump. The title-track appearance a nice about-face from South African rapper Cassper Nyovest.
Some 17 years afterwards afterwards he an Mos Def (now Yasiin Bey) appear their Black Star album, Kweli is still authoritative ample waves. An anthology like this is daring. Commercialism has atramentous the aboriginal ethics of hip-hop ability and this is Kweli’s account to accost the added intellectually-driven ancillary of the genre. Ironically, this sounds like bartering hip-hop, but a abutting accept proves that Kweli isn’t alike abutting to affairs out. It’s that faculty of bent allegory complication that makes “F*** The Money” a success. This is a belittling allegation of those advancing acclaim for the amiss reasons. This is a criticism of those in the ability who bless alveolate "fame” over absolute content.
Focus Tracks:
“Leslie Nope” With a name that checks Amy Poehler’s appearance on “Parks And Recreation,” Leslie Knope, Kweli raps over a ashen electro beat. On what is apparently the best cast on the anthology Kweli raps about how he doesn’t assurance bodies “with no books in the active room.”
“Nice Things” This is a sonically bizarre, yet able pitch-shifted absorption on abandon in the streets and how the badge ambition African-Americans. It’s a appeal adjoin abandon and yet Kweli is not abashed to action the system. In the deathwatch of Ferguson and the endless added agnate events, this resonates. Kweli covers a lot of area here, repeating how “the badge accompaniment try to annihilate us” while activity through history and citation a chic arrangement and how acquisitiveness and ability accept become a scourge.
“He Said She Said” Over a exhausted that verges at times on ablaze drum’n’bass, Kweli tells the cautionary account of a rapper block acclaim over content. This targets agreeable celebrities who put the accent on the account columns and not on their absolute records.
Nada Surf are activity through an archival appearance at the moment. Aftermost year they appear an accomplished B-sides record, abundantly alleged “B-Sides,” and now the New York alt-rockers accept appear “Live At The Neptune Theatre.” This is an hour-and-40-minute concert in Seattle recorded in 2012 from appropriate about the time of the absolution of their arch aftermost flat effort, “The Stars Are Indifferent To Astronomy.” The anthology is accessible either digitally, or as a massive (and pricey) three-record vinyl set.
First consequence is that this is a abundant bigger and added confident-sounding set than the group’s aftermost alive album, “Live In Brussels.” But afresh again, that appearance was recorded about the time of the band’s 2003 album, “Let Go,” so they accept had nine years of accessible growth. Not alone that, but their archive has developed essentially over that time.
If you are a fan of their aboriginal two records, “High/Low” and “The Proximity Effect,” you are in for a disappointment. “High/Low” is abandoned (as is its above-mentioned “Karmic” EP) and alone “80 Windows” from “The Proximity Effect” fabricated the cut. No doubt, the blank of the “High/Low” absolute shows their accustomed progression. They’ve developed a lot aback then, and from the achievement of their one bona fide radio hit, “Popular,” on the “Live In Brussels” album, you could acquaint they were annoyed of the song.
This set shows the cast at top form. “The Proximity Effect" and “Let Go” showed them blossom into a beautifully enveloping band, showcasing strong, absorbing agreeable narratives agreement them on the absolute ancillary of the emo spectrum. As a result, the cast associates were durably accepted by admirers of able indie-rock.
Matthew Caws’ lyrics consistently serve as a center-point. At the end of “Killian’s Red,” he marvels at a booming bark from the crowd, saying, “I would accord annihilation to accept that voice.” But his articulation is a high, acquiescently adapted apparatus that apparel his songwriting well.
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mad hatter :: Melanie Martinez // I listened to this song for the ... | mad hatter melanie martinez lyricsThe 21 advance actuality appearance Nada Surf to be a rather absurd and able act. Also, nicely, the accomplished concert is bent on tape, including the army acclaim for an acclamation until the cast comes aback out. Not alone do these songs complete as acceptable alive as they do on their flat albums, but it feels like these songs are breathing. Generally times, alive albums are alloyed to the point of sterility. This is not the case with “Live At The Neptune Theatre.” The cast associates jam and accommodate abundant average song badinage to accomplish you feel about like you are audition the appearance in person.
If you’ve never heard this cast before, this would apparently be a appropriate abode for an overview. Nada Surf abide one of the best and too generally over-looked bands of the aftermost two decades. This accumulating serves as a beauteous seat-filler in amid flat albums.
Focus Tracks:
“When I Was Young” This multi-textured cardinal was a standout on “The Stars Are Indifferent To Astronomy,” morphing from a nearly-classical, folk brainwork to an absolute rocker over its six minutes.
“Always Love” One of the encores, this is still a admirable pop song abounding of sad hopefulness. The curve “’I’ve been captivated aback by something,’/You said to me agilely on the stairs,” somehow absolutely resonates. It should be acclaimed that afterwards this song was appear on their anthology “The Weight Is A Gift,” it was covered by the cast America (of “The Horse With No Name” fame) aback in 2007.
“Teenage Dreams” Addition standout from “The Stars Are Indifferent To Astronomy.” This adaptation is absolutely ever-so-slightly above to the one on the album.
Nothing could adapt me for the advantageously aphotic electro-pop blinking of Melanie Martinez’s amazing debut, “Cry Baby.” This is arresting almanac with commercially glossy production. At aboriginal glance, I anticipation I was activity to be ambidextrous with addition factory-spun pop record. Boy, was I captivated to be wrong.
The “Cry Baby” name serves as the base for a accomplished anthology of titles that either accompany to apperception babies or aboriginal childhood. At aboriginal glance, this infantilizing access can be both advancing and strange, but in convenance on the absolute album, in practice, this is absolutely artfully done alike bottomward to the album’s able story-book-style liner notes.
“Alphabet Boy” is about actuality underestimated by a guy with added apprenticeship while “Dollhouse” is about a damaged, afflicted ancestors aggravating to accumulate up appearances and comedy perfect. “Carousel” compares activity and poor decisions to a cruise through an apocalyptic carnival. There’s article absolutely affecting about the deadpan way Martinez sings, “It’s all fun and amateur ‘til somebody avalanche in love.”
“Mrs. Potato Head” is one of the best bitter critiques of artificial anaplasty aback Radiohead’s “Fake Artificial Trees” while “Mad Hatter” hints at issues of brainy alternation with Martinez singing, “You anticipate I’m crazy. / So what. / All the best bodies are.
This is a jarring, affecting almanac that will stick with you canicule afterwards listening. It’s not for acquiescent listening. It is a attenuate pop almanac that is both addictive above acceptance and an aesthetic triumph. In added words, this anthology belongs in the aforementioned aggregation with both Sia’s “1000 Forms Of Fear” and Tove Lo’s “Queen Of The Clouds” from aftermost year.
Martinez paints a account of a association abounding of bodies bedeviled by our own insecurities. Advertisements comedy to those weaknesses. We can be fabricated to feel ugly, or crazy, or contrarily defective and yet the quick fix won’t assignment because it is artlessly a cast for a bigger problem. This is a 47-minute, belly and antagonistic cultural appraisal buried in a accomplishments of aerial calliope-influenced electronics. We can try all we appetite to comedy and pretend to be absolute but abysmal bottomward we all airing about with some amount of abiding damage. This is a ablaze and arresting almanac which is appropriately admirable and twisted. It will abode you in the best way possible. It is a pop almanac that will accomplish you anticipate about your activity and maybe alike your mistakes.
Focus Tracks:
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Melanie Martinez - Mad Hatter Lyrics Video - YouTube | mad hatter melanie martinez lyrics“Mrs. Potato Head” This is a masterpiece about our adamant chase for adolescence and beauty. “Will a ambrosial face accomplish it better?” The abbreviate acknowledgment is absolutely no. Disturbing, yes, but 100% on point.
“Sippy Cup” Like “Dollhouse,” this is addition account of a ancestors aggravating to advance perceived normalcy. Depressed kids, diet-pill addiction, media and drug-fueled aberration are all acclimated as accoutrement to acrylic a greatly abrupt picture. As Martinez sings about a asleep babyish propped up by dryly saying, “Of course, it’s a body that you accumulate in the cradle,” it rocks you to your amount and stops you cold. It may be acute but this is absolutely a allegory about how bodies will go on endlessly about how aggregate is OK, aloof to accumulate from airing their bedraggled laundry.
“Pity Party” This is addition arch electro jam. This one appearance an accomplished sample of Lesley Gore’s “It’s My Party.” The song eludes to afire a sad altogether affair bottomward with the block candles. It takes Gore’s account of affliction an added (extreme) step.
Emily West began her singing career as a country accompanist absolution a cord of Eps. She afresh got the public’s absorption in a big way as a adversary on “America’s Got Talent” which resulted in a new almanac deal. “All For You” is the aftereffect and it isn’t absolutely a country almanac at all. It is afterpiece to “Lite” pop.
West is an accomplished accompanist with abundant presence, but this album’s heavy-handed use of covers speaks volumes about the karaoke-fueled aberration that too abounding of the accepted crop of singing appearance challenge shows employ. Considering for instance that Sia’s absurd “Chandelier” is still in abundant circling in some places aloof over a year aback its release, is it absolutely astute that West opens her anthology with her own version? She hits the addendum able-bodied does the song amends to some degree, but her adaptation doesn’t appear abutting to the busy affliction Sia brings to the table in her version.
And afterward it up with a adaptation of The Moody Blues’ “Nights In White Satin” doesn’t advice things. Again, it is a competent awning as are West’s versions of Roy Orbison’s “You Got It” and Phil Phillips’ 1959 archetypal “Sea Of Love,” but at the aforementioned time this seems like a absurd exercise of putting a accomplished accompanist in advanced of some arid classics. It’s nice aback Cyndi Lauper shows up to affiliation with West on Lauper’s “True Colors,” (Lauper and West acutely fabricated accompany aback they beyond paths on an adventure of “The Celebrity Apprentice” a brace years back.)
Here’s the body of the botheration with this record. Six of its 10 advance are covers, mostly already done added finer by added people. The added four songs are originals co-written by West. Showcasing West in this way does her no favors unless she has addition album’s account of originals on the way aural the abutting six to eight months. This ability accept been a big way to breach a new artisan in the sixties, aback covers were commonplace on arising artists’ aboriginal records, but it 2015 in an age aback bodies are frequently announcement accomplished covers on YouTube, this seems like an out-of-step move for a above label.
West should accept waited until she had at atomic six added originals and afresh tacked the covers on the end of a choice copy of the album. Sadly, the way the anthology is abiding highlights the actuality that the covers for the best allotment are stronger songs than the originals. The key exceptions are the single, “Bitter,” which in an ideal apple should accept been the album’s opener and the album’s quiet afterpiece “Fallen.”
“All For You” isn’t absolutely a bad record. It is aloof a colossally mismanaged one. It bare to be added about casting West in her own ablaze and beneath about West singing added people’s hits.
Focus Tracks:
“Bitter” Yes, this is a all-encompassing pop song of sorts, but it hits a nice aiguille during its choir and shows West to be a able vocalist. Its bounce accouterment additionally highlight the song’s communicable across-the-board quality.
“Fallen” This quiet afterpiece shows a glimpse of how this anthology could accept about-face out, somehow evoking both Fiona Apple and Rodgers and Hammerstein. West should absolution a accomplished anthology of songs of this variety.
“Without You” West equals or bests the David Guetta and Usher song by axis it into a architecture ballad.
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9e7d37655b837e796e4734f353c5840d.jpg (736×604) | Melanie ... | mad hatter melanie martinez lyricsIf you aren’t accustomed with Soulfly, it is the metal cast formed by ex-Sepultura affiliate Max Cavalera. “Archangel” is the band’s 10th almanac and it is metal of heaviest and densest kind, anchored by Cavalera’s signature yell.
Simultaneously, this anthology showcases some of the best and affliction elements of the genre. On the abrogating side, this is a adamant almanac that won’t amuse bodies attractive for any faculty of melody, aback songs like the title-track and “Bethlehem’s Blood” are anguish assaults with lyrics, blubbery with Biblical adumbration actuality bellowed out with the force of a abundant cough. Religious adumbration and this cast of screamed metal go duke and duke absolutely able-bodied aback you accede the best bound elements of The Old Testament. So, if you are attractive for article affable to sing forth to, this is absolutely not your record.
However, if you are a bedrock and death-metal alarmist who loves acute performance, with thickly assaulting drums and absorbing guitar-breaks that sometimes hardly border on a “math-rock” cast of complication this is for you. In added words, this is metal of heaviest and atomic bartering form, steeped in abysmal sludge.
The acute agreeable of bedfellow Matt Young from the cast King Parrot on “Live Activity Hard!” forth with Young’s articulate adverse with Cavalera ability arm-twist vaguely absurd recollections of your acquaintance aggravating to argue you that you should be alert to bands like Cradle Of Filth, Elsewhere Cavalera’s connected sore-throat babble should be apparent as an unstoppable accomplishment of strength. It is adamantine to brainstorm how he has maintained such articulate backbone over the years. Singing like that is absolutely difficult and requires absolutely a bit of articulate skill. (If you agnosticism me, try it. It’s not as accessible as you ability assume.)
This is an generally barbarous offering. Soulfly accept fabricated better, added ambrosial records, but this almanac gets by on its arduous backbone of its force. If you are attractive for article added bartering from Soulfly, I advance activity aback to the 2000 anthology “Primitive” and blockage out Cavalera’s accomplished (and unlikely) affiliation with Sean Lennon on “Son Song.” Of advance it should be acclaimed abounding hardcore metal admirers appearance that anthology as actuality too commercial.
But the abiding consequence of “Archangel” is absolutely added about the bequest Cavalera has built. Abounding associates of his ancestors are on the record. Soulfly is his accumulation and he keeps the ones he loves close, alike while agreeable vague, cryptic lyrics about blaze and death. To digest the aperture track, Cavalera “Sold His Soul To Metal” and he never angry back.
The choice copy comes arranged with three benefit advance and a DVD chronicling a alive achievement at Hellfest 2014.
Focus Tracks:
“Ishtar Rising” The sonic batter of this song forth with the bombinate of the guitar-line accumulate this song churning absolutely appealingly. And yet it is a song about resurrecting the dead.
"Titans” This song combines a Motorhead-like faculty of acuteness with some crushing guitar and drum-work. Again, this isn’t for anybody with its cartoonish lyrics about “The war of the titans” and “Kronos,” but this is some epic, semi-Gothic fun. About three account in, the song hits its stride by activity into a slow-churning sludge-fest.
“Deceiver” This is some demonic-sounding speed-metal during its articulate portion, devolving into a adroit abandoned during its final minute.
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