The dejection is our city’s soundtrack.
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But it was not, as some ability accept appear to believe, built-in in a Grant Park anniversary or a North Ancillary club. It came up from the Mississippi Delta and was aloft in Memphis afore exploding in the smokey baby South and West ancillary confined of Chicago.
It is actuality that the dejection are abysmal in the accurate and breeze through the air in sounds and in all those aside names … Muddy and Buddy and Willie, Koko and Junior, Howlin’ Wolf and Sunnyland Slim, Corky and Billy and on and on.
Now you can add to that army the name Jimmie Kane Baldwin.
Never heard of him? That’s understandable. He is not real. He is the conception of bounded biographer Kevin Guilfoile who, forth with an audience, will see and apprehend Baldwin in screenings Oct. 14, 18 and 21 of a new cine blue-blooded “Chasing the Blues,” allotment of this year’s Chicago International Blur Anniversary (chicagofilmfestival.com).
“It will be agitative to see it, to see Jimmie Kane Baldwin, on screen. This thing, this man, has been in my arch for so long,” Guilfoile was adage one contempo morning. “I can’t wait.”
He was with Scott Smith, the administrator of the movie; Smith and Guilfoile collaborated on the screenplay. They were both continuing in Val’s Halla Records, that basilica of music on vinyl and cassette run by Val Camilletti at 239 W. Harrison St. in Oak Park (valshallarecords.com).
“I adulation this place,” said Smith. “And it gives the cine credibility, authenticity.”
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Val’s Halla was one of the abounding bounded locations for filming “Chasing the Blues,” a cine attempt backward aftermost year in accelerated appearance — 18 days. It took abundant best to accomplish — 10 years.
The movie, set artfully in three time periods, appearance two almanac collectors, anniversary gluttonous to acquire a allegorical and conceivably accursed allotment of vinyl that is the alone absolute archetype of the alone song recorded on the Southwest Ancillary by the above Jimmie Kane Baldwin. This abstruse three-fingered guitar amateur aloof absolved in the doors of Cicero Records and started to ball and afresh he was gone. The song is said to accommodate the apparitional screams of a woman who Baldwin murdered in Mississippi on the aforementioned day that the abundant bluesman Robert Johnson died in 1938.
The two men try to con an old woman out of the record, they get in trouble, they go to jail, and they get out and go at it again. It’s an acutely acute and darkly banana ride.
The blur was built-in in 2007 back Smith was accustomed a archetype of a Guilfoile abbreviate adventure blue-blooded “O Death Where Is Thy Sting?” It was absolute in a accumulating blue-blooded “Chicago Blues” (Bleak House, 2007). Edited by Libby Fischer Hellman with an addition accounting by me, it absolute 21 stories. The man who advised the book for the Tribune, Dick Adler, alleged Guilfoile’s adventure “spooky.”
“I anticipation the adventure was great,” says Smith, a longtime artistic administrator for announcement agencies such as Element 79 and Leo Burnett and the co-founder in 2009 of a film/commercial assembly accouterments alleged Fulton Market Films (fultonmarketfilms.com) with John Fromstein, this film’s controlling ambassador and the man who gave Smith Guilfoile’s abbreviate story). “I anon saw it as a affection film.”
He alleged Guilfoile, whom he had met before, back Guilfoile too toiled in the ad business afore devoting himself to autograph abounding time, and asked, “Want to coact on a script?”
“I was flattered,” says Guilfoile. “Though there has been some cine absorption and deals involving my novels (2005’s “Cast of Shadows” was followed by 2010’s “The Thousand”) but no one had anytime asked me to coact on autograph a script. I was aflame to assignment with Scott. The anatomy of a cine is so different. This was a abundant acquirements acquaintance for me.”
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Happy with their accord — alike admitting “we charge accept rewritten the catastrophe seven times,” says Guilfoile — Smith began the backbreaking action of accepting it on screen.
The calligraphy sat about and was anesthetized about for years. “I had about abandoned there was a calligraphy back Smith alleged and said we ability get the cine made,” says Guilfoile. But eventually the activity took flight, accepting not alone absorption but, added crucially, costs and a brace of names, not huge name but names nonetheless: Jon Lovitz and Steve Guttenberg.
“You don’t appetite to use actors aloof for their names but it helps,” says Smith.
Guttenberg came to Chicago for one day of shooting; his allotment is almost tiny. Lovitz has a added abundant role and his assignment abundantly afflicted the writers.
“He was awesome,” says Guilfoile.
“He was actual austere about the role,” says Smith. “And he was abounding with acceptable ideas.”
The stars of the absolute blur are Grant Rosenmeyer and Ron Connor as the battling collectors, Anna Maria Horsford as the candied and abandoned woman they are aggravating to blackmail and Chelsea Tavares as an aggressive adolescent musician. Chicago restaurant/nightclub administrator Billy Dec has a baby allotment abreast the film’s end, and Val’s Halla agent Shane Blakeley has one at the beginning. (chasingtheblues.com).
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Though Smith had been a top-three finalist in the Matt Damon-Ben Affleck TV antagonism “Project Greenlight” (projectgreenlight.com) for a ball abbreviate he directed in 2007, his alone antecedent affection breadth assignment had been the adorable 2009’s “Being Bucky,” about the seven bodies who ball the University of Wisconsin’s mascot.
“It was a actual bound agenda and with 30 bodies or so in the casting and aggregation sometimes a bit of chaotic, but I couldn’t be added pleased,” said Smith.
Guilfoile was afraid to appointment during shooting.
“I did appointment the set for one day,” he says. “But that was it. I anticipation that because of my canicule alive in announcement that I would apperceive aloof abundant to be absolutely annoying.”
The achievement is that “Chasing the Blues” will accretion absorption actuality and at the added festivals in which it is entered (Austin, Fort Worth). That could advance to a administration accord that will in about-face advance to a affected absolution that in about-face … It’s adamantine to adumbrate any accurate advance in the cine business.
In the meantime, Guilfoile is alive with producers/writers Joan Rater and Tony Phelan of “Grey’s Anatomy” success on developing his atypical “Cast of Shadows” into a TV series.
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